02515nam 2200589 a 450 991078307480332120230810233246.01-134-97318-71-280-60360-797866106036020-203-13030-8(CKB)1000000000003926(EBL)178317(OCoLC)264399677(SSID)ssj0000177564(PQKBManifestationID)11167441(PQKBTitleCode)TC0000177564(PQKBWorkID)10216765(PQKB)10372622(MiAaPQ)EBC178317(Au-PeEL)EBL178317(CaPaEBR)ebr10017740(CaONFJC)MIL60360(OCoLC)70767311(EXLCZ)99100000000000392619901107d1991 uy 0engurcn|||||||||txtrdacontentcrdamediacrrdacarrierIn a lonely street film noir, genre, masculinity /Frank KrutnikLondon ;New York :Routledge,1991.1 online resource (xiv, 268 pages)0-415-02629-6 0-415-02630-X Includes bibliographical references (p. [227]-259) and index.Preliminaries; Contents; 1 Classical Hollywood: film and genre; 2 Genre and the problem of film noir; 3 'Hard-bodied' crime fiction and film noir; 4 Film noir and the popularisation of psychoanalysis; 5 Film noir and America in the 1940's; 6 Masculinity and its discontents; 7 The 'tough' investigative thriller; 8 The 'tough' suspense thriller; 9 The criminal-adventure thriller; 10 A problem in 'algebra': Dead Reckoning and the regimentation of the masculine; Appendix 1 'Hard-boiled' Hollywood: 1940-50; Appendix 2 1940's crime-film cycles; Notes; Index;Discussing the diversity and cultural significance of Film Noir, Krutnik examines films such as The Maltese Falcon, Double Indemnity and analyses the `tough' thriller in terms of its role in reaffirming a disrupted masculine order.Film noirUnited StatesHistory and criticismPopular cultureUnited StatesFilm noirHistory and criticism.Popular culture791.43/655Krutnik Frank1956-550303MiAaPQMiAaPQMiAaPQBOOK9910783074803321In a lonely street965130UNINA