02897nam 2200637Ia 450 991078271790332120230912144329.01-282-85612-X97866128561290-7735-6362-810.1515/9780773563629(CKB)1000000000713556(OCoLC)243567897(CaPaEBR)ebrary10132436(SSID)ssj0000281201(PQKBManifestationID)11241457(PQKBTitleCode)TC0000281201(PQKBWorkID)10299950(PQKB)10756867(CaPaEBR)400910(Au-PeEL)EBL3330816(CaPaEBR)ebr10141486(CaONFJC)MIL285612(OCoLC)929121058(VaAlCD)20.500.12592/8145kc(schport)gibson_crkn/2009-12-01/1/400910(MiAaPQ)EBC3330816(DE-B1597)656486(DE-B1597)9780773563629(MiAaPQ)EBC3244729(EXLCZ)99100000000071355619920529h19931993 uy 0engurcn|||||||||txtrdacontentcrdamediacrrdacarrierKleist on stage 1804-1987 /William C. ReeveMontreal :McGill-Queen's University Press,1993.©19931 online resource (238 pages) illustrations0-7735-0941-0 Includes bibliographical references (p. [217]-226) and index.Front Matter -- Contents -- Acknowledgments -- Introduction -- Die Familie Schroffenstein -- Der zerbrochene Krug -- Amphitryon -- Penthesilea -- Das Käthchen von Heilbronn -- Die Hermannsschlacht -- Prinz Friedrich von Homburg -- Conclusion -- Notes -- Works Cited -- Newspapers and Magazines Cited -- Audio-Visual Material -- IndexSince an account of every known staging would require several volumes, Kleist on Stage is limited to major productions in Germany, Austria, and Switzerland that attracted more than the usual press coverage, and to interpretations and adaptations outside the German-speaking countries. Reeve presents a chronological stage history of each of the plays, beginning with Die Familie Schroffenstein and ending with Prinz Friedrich von Homburg. He also discusses some of the problems faced by a director attempting to put a Kleistian drama on stage, and pleads for greater understanding and cooperation between the academic and theatrical traditions.TheaterEurope, German-speakingHistoryTheaterHistory.792.9/5/0943Reeve William C.1943-1468893MiAaPQMiAaPQMiAaPQBOOK9910782717903321Kleist on stage3703367UNINA