04370oam 2200829M 450 991078232320332120230810000028.01-351-12580-X1-138-35393-097808230864211-138-61918-31-351-12656-31-351-12542-71-281-54498-197866115449800-7546-8218-8(CKB)1000000000552254(EBL)438895(OCoLC)560668143(SSID)ssj0000131533(PQKBManifestationID)11135624(PQKBTitleCode)TC0000131533(PQKBWorkID)10018054(PQKB)11406260(MiAaPQ)EBC438895(MiAaPQ)EBC5165982(Au-PeEL)EBL438895(CaPaEBR)ebr10234639(CaONFJC)MIL154498(OCoLC)1016949765(OCoLC)1015995849(OCoLC-P)1016949765(FlBoTFG)9781351126564(OCoLC)1048619556(OCoLC-P)1048619556(EXLCZ)99100000000055225420171220d2017 uy 0engurcnu||||||||txtccrCourt Politics, Culture and Literature in Scotland and England, 1500-15401st.Milton :Taylor and Francis,2017.©20081 online resource (199 p.)Description based upon print version of record.0-8153-8826-8 0-7546-6079-6 Includes bibliographical references (p. [167]-182) and index.Cover; Contents; Acknowledgements; List of Abbreviations; Conventions; Introduction; 1 Poet, Court and Culture; 2 Patronage and Panegyric Verse; 3 The 'Inclusive and Exclusive' Rhetorical Strategy of David Lyndsay's The Dreme and The Complaynt; 4 Counsel, Service, Kingship and the Moral Reality of the Court; 5 The 'Honestye' of Thomas Wyatt's Court Critique and the Unstable 'I' of his Verse; 6 The Murky Waters of Court Politics and Poetic Propaganda; Conclusion; Bibliography; Index"The focus of this study is court literature in early sixteenth-century England and Scotland. Author Jon Robinson examines courtly poetry and drama in the context of a complex system of entertainment, education, self-fashioning, dissimulation, propaganda and patronage. He places selected works under close critical scrutiny to explore the symbiotic relationship that existed between court literature and important socio-political, economic and national contexts of the period 1500 to 1540. The first two chapters discuss the pervasive influence of patronage upon court literature through an analysis of the panegyric verse that surrounded the coronation of Henry VIII. The rhetorical strategies adopted by courtiers within their literary works, however, differed, depending on whether the writer was, at the time of writing the verse or drama, excluded or included from the environs of the court. The different, often elaborate rhetorical strategies are, through close readings of selected verse, delineated and discussed in chapter three on David Lyndsay and chapter four on Thomas Wyatt and Thomas Elyot."--Provided by publisher.English literatureEarly modern, 1500-1700History and criticismEnglish literatureScottish authorsHistory and criticismScottish literatureTo 1700History and criticismPolitics and literatureEnglandHistory16th centuryPolitics and literatureScotlandHistory16th centuryCourts and courtiers in literatureEnglish literatureHistory and criticism.English literatureScottish authorsHistory and criticism.Scottish literatureHistory and criticism.Politics and literatureHistoryPolitics and literatureHistoryCourts and courtiers in literature.820.9/358Robinson J. R. W1564726OCoLC-POCoLC-PBOOK9910782323203321Court Politics, Culture and Literature in Scotland and England, 1500-15403833937UNINA