02821nam 2200649Ia 450 991078224580332120200520144314.00-7486-5114-41-281-78589-X97866117858950-7486-3526-210.1515/9780748635269(CKB)1000000000542118(EBL)364830(OCoLC)476197832(SSID)ssj0000136314(PQKBManifestationID)11150477(PQKBTitleCode)TC0000136314(PQKBWorkID)10082058(PQKB)10701384(StDuBDS)EDZ0000055509(OCoLC)271166033(Au-PeEL)EBL364830(CaPaEBR)ebr10435276(CaONFJC)MIL178589(DE-B1597)615204(DE-B1597)9780748635269(MiAaPQ)EBC364830(OCoLC)1302165140(EXLCZ)99100000000054211820120724d2008 uy 0engur|n|---|||||txtccrDeleuze and the cinemas of performance[electronic resource] powers of affection /Elena del RíoEdinburgh Edinburgh University Pressc20081 online resource (249 p.)Description based upon print version of record.0-7486-3525-4 Includes bibliographical references (p. 218-227) and index.COVER; Copyright; Contents; Acknowledgments; Introduction: Cinema and the Affective-Performative; 1. Animated Fetishes; 2. Choreographies of Affect; 3. Dancing Feminisms; 4. Kinesthetic Seductions; 5. Powers of the False; Conclusion: Everything is ""Yes""; Works Cited; IndexThis book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Human body in motion picturesMotion picturesPhilosophyHuman body in motion pictures.Motion picturesPhilosophy.791.4301Río Elena del1519410MiAaPQMiAaPQMiAaPQBOOK9910782245803321Deleuze and the cinemas of performance3757493UNINA