02646nam 2200637 a 450 991078215920332120230721032605.00-8166-5653-3(CKB)1000000000536001(EBL)349970(OCoLC)560668050(SSID)ssj0000147742(PQKBManifestationID)11154136(PQKBTitleCode)TC0000147742(PQKBWorkID)10016064(PQKB)11489409(MiAaPQ)EBC349970(OCoLC)236100665(MdBmJHUP)muse39063(Au-PeEL)EBL349970(CaPaEBR)ebr10233816(CaONFJC)MIL523082(EXLCZ)99100000000053600120070730d2008 uy 0engurcn|||||||||txtccrEngraving the savage[electronic resource] the New World and techniques of civilization /Michael GaudioMinneapolis University of Minnesota Press20081 online resource (234 p.)Description based upon print version of record.0-8166-4847-6 0-8166-4846-8 Includes bibliographical references and index.Introduction: White pebbles in the dark forest -- Savage marks: The scriptive techniques of early modern ethnography -- Making sense of smoke: Engraving and ornament in de Bry's America -- Flatness and protuberance: Reforming the image in Protestant print culture -- The art of scratch: Wood engraving and picture-writing in the 1880s.In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples.Indians in artDifference (Philosophy) in artArtReproductionPrintsTechniqueAmericaDiscovery and explorationEuropeanHistoriographyIndians in art.Difference (Philosophy) in art.ArtReproduction.PrintsTechnique.704.9/42Gaudio Michael703412MiAaPQMiAaPQMiAaPQBOOK9910782159203321Engraving the savage1360029UNINA