02519nam 2200553 a 450 991078214410332120200520144314.00-8173-8167-8(CKB)1000000000537487(EBL)438153(OCoLC)614555703(SSID)ssj0000155754(PQKBManifestationID)11155764(PQKBTitleCode)TC0000155754(PQKBWorkID)10123868(PQKB)10679233(MdBmJHUP)muse8639(Au-PeEL)EBL438153(CaPaEBR)ebr10237156(MiAaPQ)EBC438153(EXLCZ)99100000000053748720020913d2003 ub 0engur|n|---|||||txtccrFitzgerald-Wilson-Hemingway[electronic resource] language and experience /Ronald BermanTuscaloosa University of Alabama Pressc20031 online resource (135 p.)Description based upon print version of record.0-8173-5863-3 0-8173-1278-1 Includes bibliographical references (p. 101-118) and index.Contents; Introduction; 1 The Last Romantic Critic; 2 America in Fitzgerald; 3 Edmund Wilson and Alfred North Whitehead; 4 Reality's Thickness; 5 Hemingway's Plain Language; 6 Hemingway's Limits; Notes; IndexIn this study, Ronald Berman examines the work of the critic/novelist Edmund Wilson and the art of F. Scott Fitzgerald and Ernest Hemingway as they wrestled with the problems of language, experience, perception and reality in the ""age of jazz."" By focusing specifically on aesthetics - the ways these writers translated everyday reality into language - Berman challenges and redefines many routinely accepted ideas concerning the legacy of these authors. Fitzgerald is generally thought of as a romantic, but Berman shows that we need to expand the idea of Romanticism to include itAmerican fiction20th centuryHistory and criticismTheory, etcCriticismUnited StatesHistory20th centuryAmerican fictionHistory and criticismTheory, etc.CriticismHistory810.9/0052Berman Ronald107565MiAaPQMiAaPQMiAaPQBOOK9910782144103321Fitzgerald-Wilson-Hemingway3846660UNINA