02934nam 2200721 a 450 991078189200332120230120084120.01-315-57444-61-317-15901-21-317-15900-41-283-28212-797866132821251-4094-3683-7(CKB)2550000000054085(EBL)775217(OCoLC)755927559(SSID)ssj0000554553(PQKBManifestationID)12199778(PQKBTitleCode)TC0000554553(PQKBWorkID)10516949(PQKB)11123668(Au-PeEL)EBL775217(CaPaEBR)ebr10497478(CaONFJC)MIL922541(Au-PeEL)EBL5293776(CaONFJC)MIL328212(OCoLC)1027200145(MiAaPQ)EBC775217(MiAaPQ)EBC5293776(EXLCZ)99255000000005408520110601d2011 uy 0engur|n|---|||||txtccrCostuming the Shakespearean stage[electronic resource] visual codes of representation in early modern theatre and culture /by Robert I. LublinFarnham, Surrey, England ;Burlington, Vt. Ashgate20111 online resource (210 p.)Studies in performance and early modern dramaDescription based upon print version of record.0-7546-6225-X Includes bibliographical references and index.Cover; Contents; List of Figures; Introduction; 1 Sex and Gender; 2 Social Station; 4 Religion; 5 "An vnder black dubblett signifying a Spanish hart": Costumes and Politics in Middleton's A Game at Chess; Works Cited; IndexWhat was worn on the Shakespearean stage and more importantly, how were articles of apparel understood when seen by contemporary audiences? Considering royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons and legal documents of early modern England, Robert Lublin investigates what Shakespearean actors actually wore in production as well as what cultural information was conveyed by those costumes.Studies in performance and early modern drama.TheaterEnglandHistory16th centuryTheaterEnglandHistory17th centuryCostumeEnglandHistory16th centuryCostumeEnglandHistory17th centuryTheaterHistoryTheaterHistoryCostumeHistoryCostumeHistory822.3/3Lublin Robert I1517369MiAaPQMiAaPQMiAaPQBOOK9910781892003321Costuming the Shakespearean stage3754417UNINA