03785nam 2200661 a 450 991078176250332120230725051126.01-283-25049-7978661325049094-012-0079-310.1163/9789401200790(CKB)2550000000045942(OCoLC)759006642(CaPaEBR)ebrary10496800(SSID)ssj0000552044(PQKBManifestationID)12204535(PQKBTitleCode)TC0000552044(PQKBWorkID)10538111(PQKB)10796546(MiAaPQ)EBC3008278(OCoLC)752320526(OCoLC)842898178(OCoLC)977965067(nllekb)BRILL9789401200790(Au-PeEL)EBL3008278(CaPaEBR)ebr10496800(CaONFJC)MIL325049(OCoLC)923621942(EXLCZ)99255000000004594220111011d2011 uy 0engurcn|||||||||txtccrSeaing through the past[electronic resource] postmodern histories and the maritime metaphor in contemporary anglophone fiction /Joanna RostekAmsterdam Editions Rodopi20111 online resource (358 p.) Postmodern studies ;47Bibliographic Level Mode of Issuance: Monograph90-420-3381-9 Includes bibliographical references and index.Preliminary Material -- Acknowledgements -- Introduction -- New Histories – Old Metaphor -- Wavering Biographies: Remembering Individual Histories -- Salvaging the Self: Narratives of Personal Trauma -- Influential Sources: Discourses of Origin and the Politics of Power -- Reclaiming the Drowned: Post/Colonial Histories -- Conclusion -- List of Abbreviations -- Works Cited -- Index.From Daniel Defoe to Joseph Conrad, from Virginia Woolf to Derek Walcott, the sea has always been an inspiring setting and a powerful symbol for generations of British and Anglophone writers. Seaing through the Past is the first study to explicitly address the enduring relevance of the maritime metaphor in contemporary Anglophone fiction through in-depth readings of fourteen influential and acclaimed novels published in the course of the last three decades. The book trenchantly argues that in contemporary fiction, maritime imagery gives expression to postmodernism’s troubled relationship with historical knowledge, as theorised by Hayden White, Linda Hutcheon, and others. The texts in question are interpreted against the backdrop of four aspects of metahistorical problematisation. Thus, among others, Iris Murdoch’s The Sea, the Sea (1978) is read in the context of auto/biographical writing, John Banville’s The Sea (2005) as a narrative of personal trauma, Julian Barnes’s A History of the World in 10½ Chapters (1989) as investigating the connection between discourses of origin and the politics of power, and Fred D’Aguiar’s Feeding the Ghosts (1997) as opening up a postcolonial perspective on the sea and history. Persuasive and topical, Seaing through the Past offers a compelling guide to the literary oceans of today.Postmodern studies ;47.Sea in literaturePostmodernism (Literature)Seafaring life in literatureSea in literature.Postmodernism (Literature)Seafaring life in literature.809/.9332162Rostek Joanna1509347MiAaPQMiAaPQMiAaPQBOOK9910781762503321Seaing through the past3741161UNINA