04590nam 2200601 a 450 991078165350332120230725051127.01-60938-074-6(CKB)2550000000046910(EBL)843302(OCoLC)753723356(SSID)ssj0000534668(PQKBManifestationID)11332193(PQKBTitleCode)TC0000534668(PQKBWorkID)10520511(PQKB)11523273(MiAaPQ)EBC843302(MdBmJHUP)muse16010(Au-PeEL)EBL843302(CaPaEBR)ebr10498108(EXLCZ)99255000000004691020110301d2011 uy 0engur|||||||nn|ntxtccrA broken thing[electronic resource] poets on the line /edited by Emily Rosko and Anton Vander ZeeIowa City University of Iowa Pressc20111 online resource (291 p.)Description based upon print version of record.1-60938-054-1 Includes bibliographical references and index.Table of Contents; Acknowledgments and Permissions; Introduction; On the Line; Reading Lines Linear How to Mean; Who Is Flying This Plane? The Prose Poem and the Life of the Line; Three Takes on the Line; 3/4/5; Two Lines; The Summons of the Line; Secret Life; A Momentary Play against Concision; Notes on the Point de Capital; Forever Amber; Remarks / on the Foundation / of the Line:A Personal History; A Line Apart; Furthermore: Some Lines about the Poetic Line; The Graphic Line; Shore Lines; Scotch Tape Receptacle Scissors and a Poem; In Praise of Line-BreaksGrails and Legacies: Thoughts on the Line Only the Broken Breathe; As a Means, Shaped by Its Container; A Line Is a Hesitation, Not a World; Four Allegories of the Line; The Hyperextension of the Line; Slash; The Line as Fetish and Fascist Reliquary; A Personal Response to the Line; The Uncompressing of the Line; Line of Inquiry; Out of Joint: An Ir/reverent Meditation on the Line; The Virtues of Verse; Case on the Line; Lines and Spaces; Lineation in the Land of the New Sentence; The Invisible Tether: Some Thoughts on the Line"What I cannot say is / Is at the vertex":Some Working Notes on Failure and the Line Where It Breaks: Drama, Silence, Speed,and Accrual; This Is Just to Say That So Much Depends Upon; The Line; "And then a Plank in Reason, Broke"; The Free-Verse Line: Rhythm and Voice; Tiny Étude on the Poetic Line; Dickinson's Dashes and the Free-Verse Line; Minding the Gaps; Line / Break; Rhyme and the Line; Enter the Line; Healing and the Poetic Line; Some of What's in a Line; Harold and the Purple Crayon:The Line as a Generative Force; On the Origin and Practice of a "Signature" LineLines as Counterpoints Two Takes on Poetic Meaning and the Line; The Line Is the Leaf; Writing Against Temperament: The Line; Some Thoughts on the Integrity of the Single Line in Poetry; Comma Splice and Jump-Cut: On the Line; Clarity and Mystery: Some Thoughts on the Line; Captivated by Syllabics; Croon: A Brief on the Line; Breadthless Length; A Few Lines on the Line; Life / Line: (Freaked); A Few Attempts at Threading a Needle; A Broken Thing?; The Thin Line; The Broken Line: Excess and Incommensurability; Line: So We Go Away; Some Notes on the Poetic Line inG. C. Waldrep and Lily BrownThe Only Tool The Economy of the Line; Contributor Notes; IndexIn the arena of poetry and poetics over the past century, no idea has been more alive and contentious than the idea of form, and no aspect of form has more emphatically sponsored this marked formal concern than the line. But what, exactly, is the line? Emily Rosko and Anton Vander Zee's anthology gives seventy original answers that lead us deeper into the world of poetry, but also far out into the world at large: its people, its politics, its ecology. The authors included here, emerging and established alike, write from a range of perspectives, in terms of both aesthetics andPoeticsPoetryHistory and criticismPoetics.PoetryHistory and criticism.808.1Rosko Emily1979-1543021Vander Zee Anton1571744MiAaPQMiAaPQMiAaPQBOOK9910781653503321A broken thing3846273UNINA