05030nam 22009735 450 991078157600332120220131184307.01-283-33973-097866133397371-4008-2413-310.1515/9781400824137(CKB)2550000000065788(EBL)804869(OCoLC)768731929(SSID)ssj0000271273(PQKBManifestationID)11209958(PQKBTitleCode)TC0000271273(PQKBWorkID)10280576(PQKB)10178408(DE-B1597)447206(OCoLC)1054881507(OCoLC)979623775(DE-B1597)9781400824137(MiAaPQ)EBC804869(EXLCZ)99255000000006578820190708d2011 fg engur|n|---|||||txtccrWhite Diaspora The Suburb and the Twentieth-Century American Novel /Catherine JurcaCourse BookPrinceton, NJ :Princeton University Press,[2011]©20011 online resource (247 p.)Description based upon print version of record.0-691-05735-4 Frontmatter --CONTENTS --ACKNOWLEDGMENTS --INTRODUCTION --CHAPTER ONE. Tarzan, Lord of the Suburbs --CHAPTER TWO. Sinclair Lewis and the Revolt from the Suburb --CHAPTER THREE. Mildred Pierce's Interiors --CHAPTER FOUR. Native Son's Trespasses --CHAPTER FIVE. Sanctimonious Suburbanites and the Postwar Novel --EPILOGUE: Same As It Ever Was (More or Less) --NOTES --INDEXThis is the first book to analyze our suburban literary tradition. Tracing the suburb's emergence as a crucial setting and subject of the twentieth-century American novel, Catherine Jurca identifies a decidedly masculine obsession with the suburban home and a preoccupation with its alternative--the experience of spiritual and emotional dislocation that she terms "homelessness." In the process, she challenges representations of white suburbia as prostrated by its own privileges. In novels as disparate as Tarzan (written by Tarzana, California, real-estate developer Edgar Rice Burroughs), Richard Wright's Native Son, and recent fiction by John Updike and Richard Ford, Jurca finds an emphasis on the suburb under siege, a place where the fortunate tend to see themselves as powerless. From Babbitt to Rabbit, the suburban novel casts property owners living in communities of their choosing as dispossessed people. Material advantages become artifacts of oppression, and affluence is fraudulently identified as impoverishment. The fantasy of victimization reimagines white flight as a white diaspora. Extending innovative trends in the study of nineteenth-century American culture, Jurca's analysis suggests that self-pity has played a constitutive role in white middle-class identity in the twentieth century. It breaks new ground in literary history and cultural studies, while telling the story of one of our most revered and reviled locations: "the little suburban house at number one million and ten Volstead Avenue" that Edith Wharton warned would ruin American life and letters.American fiction - 20th century -American fiction -- 20th century -- History and criticismRace in literatureRace in literatureSegregation in literatureSuburban life in literatureSuburbs in literatureWhite people in literatureAmerican fictionHistory and criticism20th centurySuburban life in literatureSegregation in literatureSuburbs in literatureWhite people in literatureRace in literatureAmerican LiteratureHILCCEnglishHILCCLanguages & LiteraturesHILCCAmerican fiction - 20th century -.American fiction -- 20th century -- History and criticism.Race in literature.Race in literature.Segregation in literature.Suburban life in literature.Suburbs in literature.White people in literature.American fictionHistory and criticismSuburban life in literatureSegregation in literatureSuburbs in literatureWhite people in literatureRace in literatureAmerican LiteratureEnglishLanguages & Literatures813813.509321733813/.509321733Jurca Catherine1033768DE-B1597DE-B1597BOOK9910781576003321White Diaspora3828837UNINA