02851nam 2200565 a 450 991078153390332120230719202613.01-283-35864-6978661335864690-272-7775-3(CKB)2550000000074275(EBL)805789(OCoLC)769342197(SSID)ssj0000822942(PQKBManifestationID)11482314(PQKBTitleCode)TC0000822942(PQKBWorkID)10760646(PQKB)11741431(MiAaPQ)EBC805789(Au-PeEL)EBL805789(CaPaEBR)ebr10517150(CaONFJC)MIL335864(EXLCZ)99255000000007427519910906d1991 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierFlaubert's straight and suspect saints the unity of Trois contes /Aimée Israel-PelletierAmsterdam ;Philadelphia :John Benjamins Pub. Co.,1991.1 online resource (178 pages)Purdue University monographs in Romance languages,0165-8743 ;v. 361-55619-300-9 90-272-1757-2 Includes bibliographical references (p. [151]-161) and index.FLAUBERT'S STRAIGHT AND SUSPECT SAINTS; Editorial page; Title page; Copyright page; Dedication; Table of contents; Acknowledgments; Introduction: Meaning and Character in Flaubert; 1. The Trois contes; 2. The Women of Pont-l'Evêqueque: A Subversive Sorority; 3. Murdering the Father: Re-writing the Legend of Saint Julien l'Hospitalier; 4. Reading the Landscape of Desire and Writing; Conclusion: Straight and Suspect Texts: A Poetics of Transgression; Notes; Bibliography and Selected Works on Trois contes; IndexIsrael Pelletier argues that Trois contes demands a different kind of reading which distinguishes it from Madame Bovary and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about language and illusion.Purdue University monographs in Romance languages ;36.Narration (Rhetoric)History19th centuryNarration (Rhetoric)History843/.8Israel-Pelletier Aimée982489MiAaPQMiAaPQMiAaPQBOOK9910781533903321Flaubert's straight and suspect saints3743636UNINA