02679nam 2200625 a 450 991078149860332120230725050619.01-4529-4678-70-8166-7676-3(CKB)2550000000040364(EBL)730145(OCoLC)741492680(SSID)ssj0000522028(PQKBManifestationID)11381406(PQKBTitleCode)TC0000522028(PQKBWorkID)10527706(PQKB)11769341(StDuBDS)EDZ0001170710(MiAaPQ)EBC730145(OCoLC)859380615(MdBmJHUP)muse29851(Au-PeEL)EBL730145(CaPaEBR)ebr10482232(CaONFJC)MIL525702(EXLCZ)99255000000004036420100809d2011 uy 0engur|n|---|||||txtccrDigital art and meaning[electronic resource] reading kinetic poetry, text machines, mapping art, and interactive installations /Roberto SimanowskiMinneapolis University of Minnesota Press20111 online resource (328 p.)Electronic mediations ;v. 35Description based upon print version of record.0-8166-6738-1 0-8166-6737-3 Includes bibliographical references and index.Introduction : close reading -- Digital literature -- Kinetic concrete poetry -- Text machines -- Interactive installations -- Mapping art -- Real-time Web sculpture -- Epilogue : code, interpretation, avant-garde.In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. ""Digital Art and Meaning"" offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installatioElectronic mediations ;v. 35.Digital artInteractive artDigital art.Interactive art.776Simanowski Roberto1093408MiAaPQMiAaPQMiAaPQBOOK9910781498603321Digital art and meaning3792178UNINA