04553oam 2200685I 450 991078137380332120230725051855.01-136-97996-41-283-10593-497866131059361-136-97997-20-203-85291-510.4324/9780203852910 (CKB)2550000000033303(EBL)672425(OCoLC)773564541(SSID)ssj0000542314(PQKBManifestationID)11351474(PQKBTitleCode)TC0000542314(PQKBWorkID)10510732(PQKB)10803633(MiAaPQ)EBC672425(Au-PeEL)EBL672425(CaPaEBR)ebr10466431(CaONFJC)MIL310593(OCoLC)719481551(EXLCZ)99255000000003330320180706d2011 uy 0engur|n|---|||||txtccrThe Vakhtangov sourcebook /edited, translated and with an introduction by Andrei Malaev-BabelLondon ;New York, N.Y. :Routledge,2011.1 online resource (387 p.)Description based upon print version of record.0-415-48257-7 0-415-47268-7 Includes bibliographical references and index.Cover; The Vakhtangov Sourcebook; Copyright; Contents; List of Illustrations and Plates; Acknowledgements; Editor's Note; Part I: Introduction; 1. On Vakhtangov's Work and Writings; 2. The Theatre of Mystery; 3. Toward the Theatre of Fantastic Realism; 4. Toward the Theatre of the Future; 5. Theatre of the Eternal Mask; Part II: Vakhtangov on Theatre, Actor Training and an Actor's Creative Process; 6. On Theatre; 7. On the Actor's Creative Process; 8. On the Stanislavsky System; 9. On Character and Characterization; 10. On Consciousness and the Subconscious in an Actor's Creative Process11. On the Organic Outer TechniquePart III: Fantastic Realism; 12. Axioms of Fantastic Realism; 13. Fantastic Realism and the Russian Theatre (All Saints' Notes); 14. Expressive Means of Fantastic Realism; 15. Theatrical Models of Fantastic Realism; 16. Two Final Discussions with Students; Part IV: Popular Theatre; 17. Theory and Practice of the Popular Theatre; 18. Philosophy of the Popular Theatre; Part V: Transfiguring the Stanislavsky System; 19. Lectures on the Stanislavsky System; 20. Materials on the Stanislavsky System; Part VI: From Director's Diaries: Toward the Theatre of Mystery21. On the Production of Hauptmann's The Festival of Peace22. On the Production of Berger's The Deluge; 23. On the Production of Maeterlinck's The Miracle of SaintAnthony (First Variant); 24. On the Production of Ibsen's Rosmersholm; Part VII: Vakhtangov at the MAT and its First Studio; 25. On the Inception of the First Studio of the MAT; 26. On the First Studio of the MAT Artistic Philosophy and Esthetics; 27. On the First Studio of the MAT Traditions and Perspectives; Part VIII: Vakhtangov Rehearses; 28. Theatre of the Emotional Experience; 29. Toward the Theatre of Mystery30. Toward Fantastic Realism31. Fantastic Realism; Part IX: Correspondence with Colleagues; 32. First Studio of the MAT Letters ?; 33. Letters to the Vakhtangov and Habima Studios; 34. Three Final Letters; Glossary of Terms; Bibliography; Index'Scrupulously translated and skilfully translated by Andrei Malaev-Babel, The Vakhtangov Sourcebook ... provides the most comprehensive addition top English readers' knowledge of the philosophy, pedagogy, and legacy of Vakhtangov.' - Modern Language Review'An exceptionally valuable book that promises to be the definitive reference for Vakhtangov's work for years to come.' - Theatre TopicsYevgeny Vakhtangov was the creator of Fantastic Realism, credited with reconciling Meyerhold's bold experiments with Stanislavski's naturTheaterProduction and directionTheaterPhilosophyActingStudy and teachingRussiaTheaterProduction and direction.TheaterPhilosophy.ActingStudy and teaching792.02/33Vakhtangov Evgenií1883-1922.,444414Malaev-Babel Andrei1496741FlBoTFGFlBoTFGBOOK9910781373803321The Vakhtangov sourcebook3721562UNINA