04784oam 2200673I 450 991078125960332120230221153655.01-136-83307-21-283-10470-997866131047001-136-83308-00-203-83197-710.4324/9780203831977(CKB)2550000000032540(EBL)668829(OCoLC)719094041(SSID)ssj0000537124(PQKBManifestationID)12176391(PQKBTitleCode)TC0000537124(PQKBWorkID)10551854(PQKB)10241872(MiAaPQ)EBC668829(Au-PeEL)EBL668829(CaPaEBR)ebr10462504(CaONFJC)MIL310470(EXLCZ)99255000000003254020180706d2011 uy 0engurcn|||||||||txtccrGlobal design history /edited by Glenn Adamson, Giorgio Riello and Sarah Teasley1st editionLondon :Routledge,2011.1 online resource (241 p.) illustrationsDescription based upon print version of record.0-415-57287-8 0-415-57285-1 Includes bibliographical references and index.Global Design HistoryI; Copyright; Contents; Illustrations; Contributors; Preface; Introduction:Towards global design history; 1 The Global Renaissance: Cross-cultural objects in the early modern period; Response; 2 Global design in Jingdezhen: Local production and global connections; Response; 3 Indian cottons and European fashion, 1400-1800; Response; 4 Import substitution, innovation and the tea ceremony in fifteenth- and sixteenth-century Japan; Response; 5 The globalization of the fashion city; Response6 Performing white South African identity through international and empire exhibitionsResponse; 7 'From the far corners':Telephones, globalization, and the production of locality in the 1920s; Response; 8 The globalization of the Deutscher Werkbund: Design reform, industrial policy, and German foreign policy, 1907-1914; Response; 9 Where in the world is design? The case of India, 1900-1945; Response; 10 Handmade modernity: Post-war design in Turkey; Response; 11 Old empire and new global luxury: Fashioning global design; Response12 Analyzing social networking websites:The design of Happy Network in ChinaResponse; 13 From nation-bound histories to global narratives of architecture; Response: Global agoraphobia; 14 e-Artisans: Contemporary design for the global market; Response; Resource Guide; Bibliography; IndexGlobalism is often discussed using abstract terms, such as ‘networks’ or ‘flows’ and usually in relation to recent history. Global Design History moves us past this limited view of globalism, broadening our sense of this key term in history and theory. Individual chapters focus our attention on objects, and the stories they can tell us about cultural interactions on a global scale. They place these concrete things into contexts, such as trade, empire, mediation, and various forms of design practice. Among the varied topics included are:the global underpinnings of Renaissance material culture; the trade of Indian cottons in the eighteenth-century; the Japanese tea ceremony as a case of ‘import substitution’German design in the context of empire; handcrafted modernist furniture in Turkey. Australian fashions employing ‘ethnic’ motifs; an experimental UK-Ghanaian design partnership; Chinese social networking websites; the international circulation of contemporary architects.Featuring work from leading design historians, each chapter is paired with a ‘response’, designed to expand the discussion and test the methodologies on offer. An extensive bibliography and resource guide will also aid further research, providing students with a user friendly model for approaches to global design.　Global Design History will be useful for upper-level undergraduate and postgraduate students, academics and researchers in design history and art history, and related subjects such as anthropology, craft studies and cultural geography.DesignHistoryCulture and globalizationDesignHistory.Culture and globalization.745.409Adamson Glenn625093Riello Giorgio313379Teasley Sarah1973-1564231MiAaPQMiAaPQMiAaPQBOOK9910781259603321Global design history3833172UNINA