03290nam 2200601 a 450 991078124080332120230725051923.01-283-11404-697866131140449956-579-45-99956-579-10-69956-579-80-7(CKB)2550000000036114(EBL)1135000(OCoLC)830166395(SSID)ssj0000535586(PQKBManifestationID)12186263(PQKBTitleCode)TC0000535586(PQKBWorkID)10522352(PQKB)10027083(MiAaPQ)EBC1135000(OCoLC)779394988(MdBmJHUP)muse21801(Au-PeEL)EBL1135000(CaPaEBR)ebr10470267(CaONFJC)MIL311404(EXLCZ)99255000000003611420110606d2011 uy pengur|n|---|||||txtccrCrying in hiccoughs[electronic resource] /by Alobwed'EpieBamenda, Cameroon Langaa Research & Pub. CIG20111 online resource (62 p.)Cover title.9956-579-91-2 Cover; Title page; Copyright page; Dedication; Contents; Preface; Introduction; My Little Song; My Song in Silver; Seal Your Lips; The Demigods; The Past, The Present, The Future; No Past, No Present, No Future; The African Press; Of What Shall I Be Proud?; Mere Nature's Call?; The Election Day; The Monument; The Unknown Soldier; To The Youth of Africa; The Beaten Pen; The Weeping African Child; The Cry of the Street Man; These Tears; Ode to the Vegetable; Prophecy; The Collapsing Cliffs of Fako; What Is My Fate?; By The Beach Of Victoria; The Ugly One; Adieu, Lady Queen (1992 Sept 4th)Depleted HarvestThe Lock; There Is Peace; Where the Thieves Go; Parcous Vita; The Way We Build; The Chain; Kick the Saint; Know This; Can We Ever Know?; The Eternal I; The Scaffolds of Our Being; God's Sons; Hail the Rumour; The Eden of the Fallen Deacon; Human Nature; Bamenda; Our Byzantium Day; Bang Your Doors; Our Nation's Day at Bongo Square; False Friends; Brother?; The Interred In Senegal; Eve; Ecstasy: The Cry of the Street Girl; The Woman; Love; Parlour Walls; A Broken Vow; More Questions than Answers; I Still Bequeath to You; I Work On Sundays; World Book Day; Adieu Lambo John AkweIn memory of Stephen Edie 1962Back coverCrying in Hiccoughs is a graphic presentation of the more realistic phase of Africa's politico-economic and historico-moral evolution in general, and Cameroon's, in particular. From the colonial to the post-independence era, the poet sees nothing worthy of praise-singing and handclapping. So, he resorts to crying in hiccoughs and invites the blind, deaf and dumb brainwashed praise-singers to join him in singing his little songs so as to expose and challenge the demagogy.African poetryAfrican poetry.821.92Alobwede D'Epie Charles1503268MiAaPQMiAaPQMiAaPQBOOK9910781240803321Crying in hiccoughs3731537UNINA