00798nam0-22002771i-450-99000317580040332120050128111011.0000317580FED01000317580(Aleph)000317580FED0100031758020030910d1979----km-y0itay50------bafreFR<<Les >>rapports d'argentSuzanne de BrunhoffGrenoblePresses Universitaires de GrenobleFrançois Maspero1979218 p.24 cmIntervention en économie politiqueBrunhoff,Suzanne de285062ITUNINARICAUNIMARCBK990003175800403321D/4.2 DEB/7910652/ISESSESRapports d'argent457944UNINA03855nam 2200613Ia 450 991078117600332120230725044911.00-292-79295-610.7560/721708(CKB)2550000000010881(OCoLC)610030192(CaPaEBR)ebrary10381442(SSID)ssj0000426476(PQKBManifestationID)11965243(PQKBTitleCode)TC0000426476(PQKBWorkID)10373754(PQKB)11126754(MiAaPQ)EBC3443474(MdBmJHUP)muse2420(Au-PeEL)EBL3443474(CaPaEBR)ebr10381442(DE-B1597)586707(OCoLC)1286806333(DE-B1597)9780292792951(EXLCZ)99255000000001088120090616d2010 ub 0engurcn|||||||||txtccrPunk slash! musicals[electronic resource] tracking slip-sync on film /David Laderman1st ed.Austin University of Texas Press20101 online resource (201 p.)Bibliographic Level Mode of Issuance: Monograph0-292-72170-6 Includes bibliographical references and index.Let's do the time warp : welcome to the punk musical film cycle -- Situating slip-sync: in/authenticity, Singin' in the rain, A hard day's night, The Rocky horror picture show, Blank generation, Illusions, Nice coloured girls, neocon 1980's -- The queen is dead : Jubilee -- The punk meets the godfather : The great rock\ 'n' roll swindle -- Your face is a mess : Breaking glass -- American slip-sync remix : Blank generation, Rock\ 'n' roll high school, Out of the blue, Smithereens, Liquid sky -- Talk of the town : Times Square -- Uh huh her : Ladies and gentlemen, the fabulous stains -- Now entertain us : Starstruck, Sid and Nancy, True stories -- Postscript: slip-streaming.Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of "slip-sync." Riffing on the commonplace lip-sync phenomenon, "slip-sync" refers to moments in the films when the punk performer "slips" out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture.Rock filmsGreat BritainHistory and criticismRock filmsUnited StatesHistory and criticismPunk rock musical filmsRock filmsHistory and criticism.Rock filmsHistory and criticism.791.43/6578Laderman David1520428MiAaPQMiAaPQMiAaPQBOOK9910781176003321Punk slash! musicals3853619UNINA