02636nam 2200613 a 450 991078110730332120230120103542.00-19-983126-20-19-026804-20-19-983016-9(CKB)2550000000031129(EBL)679598(OCoLC)711699586(SSID)ssj0000473532(PQKBManifestationID)12230275(PQKBTitleCode)TC0000473532(PQKBWorkID)10438134(PQKB)11035262(StDuBDS)EDZ0001158266(Au-PeEL)EBL679598(CaPaEBR)ebr10454661(Au-PeEL)EBL7034329(MiAaPQ)EBC679598(MiAaPQ)EBC7034329(EXLCZ)99255000000003112920100513d2011 uy 0engur|n|---|||||txtccrThe studio recordings of the Miles Davis Quintet, 1965-68[electronic resource] /Keith WatersNew York City Oxford University Press20111 online resource (321 p.)Oxford studies in recorded jazzDescription based upon print version of record.0-19-539384-8 0-19-539383-X Includes bibliographical references and index.Discography: p. [283]-286.The Quintet -- Analytical strategies -- E.S.P. -- Miles smiles -- Sorcerer -- Nefertiti -- Miles in the sky and Filles de Kilimanjaro -- The Quintet and Its legacies.The ""Second Quintet"" -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances or the Oxford studies in recorded jazz.Jazz1961-1970History and criticismJazzHistory and criticism.785/.35195165Waters Keith1958-1502962MiAaPQMiAaPQMiAaPQBOOK9910781107303321The studio recordings of the Miles Davis Quintet, 1965-683731039UNINA