02369nam 2200505Ia 450 991078097400332120230725041557.00-8166-7072-2(CKB)2520000000008002(EBL)496599(OCoLC)593295695(SSID)ssj0000334468(PQKBManifestationID)11297198(PQKBTitleCode)TC0000334468(PQKBWorkID)10260291(PQKB)11396696(MiAaPQ)EBC496599(EXLCZ)99252000000000800220090824d2010 uy 0engurmn#---|||||txtrdacontentcrdamediacrrdacarrierAfterimages of Gilles Deleuze's film philosophy[electronic resource] /D. N. Rodowick, editorMinneapolis, Minnesota :University of Minnesota Press,2010.1 online resource (xxiv, 396 pages);illustrationsDescription based upon print version of record.0-8166-5007-1 0-8166-5006-3 Includes bibliographical references and index.Contents --Acknowledgments --Introduction: What Does Time Express? --part I. Doublings --part II. Ethics --part III. Becomings --part IV. Experiments --part V. Futures --Publication History --Contributors --Index.The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.The firsMotion picturesPhilosophyMotion picturesPhilosophy.791.4301Rodowick David NormanMiAaPQMiAaPQMiAaPQUkMaJRUBOOK9910780974003321Afterimages of Gilles Deleuze's film philosophy3830912UNINA