02911oam 2200661I 450 991078080340332120200520144314.01-135-26384-11-135-26385-X1-282-44330-597866124433050-203-86968-010.4324/9780203869680 (CKB)2550000000000344(EBL)465386(OCoLC)503449076(SSID)ssj0000337668(PQKBManifestationID)12084351(PQKBTitleCode)TC0000337668(PQKBWorkID)10293428(PQKB)10504392(Au-PeEL)EBL465386(CaPaEBR)ebr10358734(CaONFJC)MIL244330(OCoLC)503449076 (MiAaPQ)EBC465386(EXLCZ)99255000000000034420180706d2010 uy 0engur|n|---|||||txtccrFilm noir hard-boiled modernity and the cultures of globalization /Jennifer Fay and Justus NielandLondon ;New York :Routledge,2010.1 online resource (303 p.)Routledge film guidebooksDescription based upon print version of record.0-415-45813-7 0-415-45812-9 Includes bibliographical references and index.BOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF FIGURES; PREFACE: Down these mean streets, again . . .; ACKNOWLEDGMENTS; 1 FILM NOIR AND THE CULTURE OF INTERNATIONALISM; 2 CRITICAL DEBATES: Genre, gender, race; 3 FILM NOIR STYLE AND THE ARTS OF DYING; 4 FRAGMENTS OF ONE INTERNATIONAL NOIR HISTORY; APPENDIX: Suggestions for further reading, watching, discussing; INDEXThe term ""film noir"" still conjures images of a uniquely American malaise: hard-boiled detectives, fatal women, and the shadowy hells of urban life. But from its beginnings, film noir has been an international phenomenon, and its stylistic icons have migrated across the complex geo-political terrain of world cinema. This book traces film noir's emergent connection to European cinema, its movement within a cosmopolitan culture of literary and cinematic translation, and its postwar consolidation in the US, Europe, Asia, the Middle East, and Latin America. The authors examine hRoutledge film guidebooks.Film noirHistory and criticismCrime filmsHistory and criticismFilm noirHistory and criticism.Crime filmsHistory and criticism.791.43655Fay Jennifer.966716Nieland Justus1472540MiAaPQMiAaPQMiAaPQBOOK9910780803403321Film noir3701215UNINA