05069nam 2200793 450 991078055670332120230912153255.01-282-05615-897866120561541-4426-8333-310.3138/9781442683334(CKB)2420000000004546(EBL)3251331(SSID)ssj0000313185(PQKBManifestationID)11264407(PQKBTitleCode)TC0000313185(PQKBWorkID)10366967(PQKB)11655596(CaPaEBR)417420(CaBNvSL)thg00600768(DE-B1597)465111(OCoLC)944177246(DE-B1597)9781442683334(Au-PeEL)EBL4672249(CaPaEBR)ebr11257923(OCoLC)958571884(VaAlCD)20.500.12592/7qhg3p(schport)gibson_crkn/2009-12-01/5/417420(MiAaPQ)EBC4672249(OCoLC)244767015(MdBmJHUP)musev2_105527(MiAaPQ)EBC3251331(EXLCZ)99242000000000454620160922h19901990 uy 0engur|n|---|||||txtccrWhen television was young primetime Canada 1952-1967 /Paul RutherfordToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,1990.©19901 online resource (672 p.)Includes index.0-8020-6647-X 0-8020-4344-5 Includes bibliographical references.""CONTENTS""; ""GRAPHICS""; ""ACKNOWLEDGMENTS""; ""Introduction: A Personal Journey""; ""1 Expectations""; ""PART ONE: STRUCTURES""; ""2 Enter CBC-TV""; ""3 What's on Tonight?""; ""4 Enter CTV""; ""PART TWO: GENRES""; ""5 Information for Everyone""; ""Focus: 'Tabloid' 31 January 1958""; ""6 Variety's Heyday""; ""Focus: 'The Wayne and Shuster Hour' 11 March 1962""; ""7 In Gameland""; ""Focus: 'Front Page Challenge' 16 January 1962""; ""8 Culture on the Small Screen""; ""Focus: 'The Queen of Spades' 28 October 1956""; ""9 'And Now a Word from Our Sponsors'""; ""Focus: Aspirin 1967""""10 Storytelling""""Focus: 'Wojeck' 13 September 1966""; ""11 Versions of Reality""; ""Focus: 'This Hour Has Seven Days' 24 October 1965""; ""12 On Viewing""; ""Afterword: Understanding Television""; ""APPENDIX I: Forms and Genres""; ""APPENDIX II: Viewing Analysis""; ""NOTES""; ""SOURCES""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""A decade after the first Canadian telecasts in September 1952, TV had conquered the country. Why was the little screen so enthusiastically welcomed by Canadians? Was television in its early years more innovative, less commercial, and more Canadian than current than current offerings? In this study of what is often called the 'golden age' of television, Paul Rutherford has set out to dispel some cherished myths and to resurrect the memory of a noble experiment in the making of Canadian culture. He focuses on three key aspects of the story. The first is the development of the national service, including the critical acclaim won by Radio-Canada, the struggles of the CBC's English service to provide mass entertainment that could compete with the Hollywood product, and the effective challenge of private television to the whole dream of public broadcasting.The second deals with the wealth of made-in-Canada programming available to please and inform viewers - even commercials receive close attention. Altogether, Rutherford argues, Canadian programming reflected as well as enhanced the prevailing values and assumptions of the mainstream.The final focus is on McLuhan's Question: What happens to society when a new medium of communications enters the picture? Rutherford's findings cast doubt upon the common presumptions about the awesome power of television.Television in Canada, Rutherford concludes, amounts to a failed revolution. It never realized the ambitions of its masters or the fears of its critics. Its course was shaped not only by the will of the government, the power of commerce, and the empire of Hollywood, but also by the desires and habits of the viewers.Television broadcastingCanadaHistoryTelevision programsCanadaHistoryKanadagndCanadafastLivres numeriques.History.e-books.Electronic books. Television broadcastingHistory.Television programsHistory.384.550971Rutherford Paul104184MiAaPQMiAaPQMiAaPQBOOK9910780556703321When television was young3768820UNINA