02132nas 2200613-a 450 991013183390332120230222213018.0(DE-599)ZDB2422203-3(OCoLC)607693363(CKB)110978978556783(CONSER)--2014236505(EXLCZ)9911097897855678320100416a19819999 --- aengurbn||||||abpurbn||||||adatxtrdacontentcrdamediacrrdacarrierThe journal of East Asian affairsSeoul, Korea Research Institute for International Affairs©1981-Seoul, Korea Institute for National Security Strategy1010-1608 JOURNAL OF EAST ASIAN AFFAIRSJ EAST ASIAN AFFEconomic historyfast(OCoLC)fst00901974Politics and governmentfast(OCoLC)fst01919741Social conditionsfast(OCoLC)fst01919811LänderforschungstwSüdkoreastwOstasienstwEast AsiaPolitics and governmentPeriodicalsEast AsiaEconomic conditionsPeriodicalsEast AsiaSocial conditionsPeriodicalsExtrême-OrientPolitique et gouvernementPériodiquesExtrême-OrientConditions économiquesPériodiquesExtrême-OrientConditions socialesPériodiquesAzja WschodniadbnEast AsiafastCzasopismo społęczno-polityczne.dbnPeriodicals.fastEconomic history.Politics and government.Social conditions.Länderforschung.Südkorea.Ostasien.950/.05Kukche Munje Chosa Yŏn'guso (Seoul, Korea)Institute for National Security Strategy (Seoul, Korea)JOURNAL9910131833903321The journal of East Asian affairs1887832UNINA02413nam 22006614a 450 991078054110332120171026195700.01-282-42297-997866124229730-472-02159-110.3998/mpub.156624(CKB)2430000000000186(SSID)ssj0000339889(PQKBManifestationID)11252214(PQKBTitleCode)TC0000339889(PQKBWorkID)10364911(PQKB)10021503(SSID)ssj0000667927(PQKBManifestationID)12292268(PQKBTitleCode)TC0000667927(PQKBWorkID)10697845(PQKB)11612567(MiAaPQ)EBC3414471(OCoLC)593241754(MdBmJHUP)muse8406(MiU)10.3998/mpub.156624(Au-PeEL)EBL3414471(CaPaEBR)ebr10274285(CaONFJC)MIL242297(OCoLC)824099875(EXLCZ)99243000000000018620050803d2006 uy 0engurcn|||||||||txtccrLitigating in the shadow of death defense attorneys in capital cases /Welsh S. WhiteAnn Arbor :University of Michigan Press,c2006.viii, 219 pBibliographic Level Mode of Issuance: Monograph0-472-09911-6 0-472-06911-X Includes bibliographical references and index.The role of defense lawyers in capital cases -- Effective assistance of counsel in capital cases -- Defending capital defendants who are innocent -- Defending capital defendants who have strong claims of innocence -- Defending a capital defendant in an aggravated case -- Plea bargaining in capital cases -- Seeking postconviction relief in capital cases -- Concluding observations.Capital punishmentUnited StatesDefense (Criminal procedure)United StatesCapital punishmentDefense (Criminal procedure)345.73/0773White Welsh S.1940-1502986Michigan Publishing (University of Michigan)MiUMiUBOOK9910780541103321Litigating in the shadow of death3731074UNINA04105nam 22006011 450 991081245030332120230803032550.00-292-74775-610.7560/747746(CKB)3170000000060206(EBL)3443694(SSID)ssj0001000706(PQKBManifestationID)11537167(PQKBTitleCode)TC0001000706(PQKBWorkID)10960731(PQKB)10063609(MiAaPQ)EBC3443694(OCoLC)859154950(MdBmJHUP)muse25063(Au-PeEL)EBL3443694(CaPaEBR)ebr10768927(OCoLC)899045091(DE-B1597)587698(DE-B1597)9780292747753(EXLCZ)99317000000006020620130227d2013 ub 0engur|n|---|||||txtccrTheorizing art cinemas foreign, cult, avant-garde, and beyond /by David AndrewsFirst edition.Austin :University of Texas Press,2013.1 online resource (310 p.)Description based upon print version of record.0-292-74774-8 Includes bibliographical references and index.Introduction: correcting art cinema's partial vision -- pt. 1. art, auteurism, and the world -- art as genre as canon: defining "art cinema" -- no start, no end: auteurism and the auteur theory -- from "foreign films" to "world cinema" -- pt. 2. formats and fetishes -- recovery and legitimation in the traditional art film -- losing the asterisk: a theory of cult-art cinema -- revisiting "the two avant-gardes" -- sucking the mainstream: a theory of mainstream art cinema -- pt. 3. institutions and distributions -- re-integrating stardom ( . . . or technology or reception or . . . ) -- art cinema as institution, redux: art houses, film festivals, and film studies -- art cinema, the distribution theory -- epilogue. beyond, before cinephilia.The term “art cinema” has been applied to many cinematic projects, including the film d’art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what “art cinema” is. Turning the traditional, highbrow notion of art cinema on its head, Theorizing Art Cinemas takes a flexible, inclusive approach that views art cinema as a predictable way of valuing movies as “art” movies—an activity that has occurred across film history and across film subcultures—rather than as a traditional genre in the sense of a distinct set of forms or a closed historical period or movement. David Andrews opens with a history of the art cinema “super-genre” from the early days of silent movies to the postwar European invasion that brought Italian Neorealism, the French New Wave, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole. This wide-ranging approach allows Andrews to develop a theory that encompasses both the high and low ends of art cinema in all of its different aspects, including world cinema, avant-garde films, experimental films, and cult cinema. All of these art cinemas, according to Andrews, share an emphasis on quality, authorship, and anticommercialism, whether the film in question is film festival favorite or a midnight movie.Avant-garde (Aesthetics)Experimental filmsHistory and criticismAvant-garde (Aesthetics)Experimental filmsHistory and criticism.791.43/611Andrews David1970-1132310MiAaPQMiAaPQMiAaPQBOOK9910812450303321Theorizing art cinemas4002250UNINA