04437nam 2200793 450 991078042320332120231206203859.01-282-00948-697866120094881-4426-7060-610.3138/9781442670600(CKB)2420000000003802(OCoLC)244767455(CaPaEBR)ebrary10218894(SSID)ssj0000287909(PQKBManifestationID)11207950(PQKBTitleCode)TC0000287909(PQKBWorkID)10373139(PQKB)11299814(CaPaEBR)420837(CaBNvSL)slc00211099 (DE-B1597)464154(OCoLC)944178538(DE-B1597)9781442670600(Au-PeEL)EBL4671165(CaPaEBR)ebr11256890(CaONFJC)MIL200948(OCoLC)958564937(OCoLC)1372413630(MdBmJHUP)musev2_104392(VaAlCD)20.500.12592/tr6kc6(schport)gibson_crkn/2009-12-01/7/420837(MiAaPQ)EBC4671165(MiAaPQ)EBC3254989(EXLCZ)99242000000000380220160922h19961996 uy 0engurcn|||||||||txtccrActs of narrative textual strategies in modern German fiction /Patrick O'NeillToronto, [Canada] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,1996.©19961 online resource (216 p.) Theory / CultureBibliographic Level Mode of Issuance: Monograph0-8020-0982-4 Includes bibliographical references and index.Death in Venice : narrative situations in Thomas Mann's Der Tod in Venedig --Trial : paradigms of indeterminacy in Franz Kafka's Der Prozess --Harry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf --Auto da fe : reading misreading in Elias Canetti's Die Blendung --Tin Drum : implications of unrealibility in Günter Grass's Die Blechtrommel --Two views : the authority of discourse in Uwe Johnson's Zwei Ansichten --Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter --Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk.O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard.Theory/culture series.German fiction20th centuryHistory and criticismNarration (Rhetoric)History20th centuryDeutschswdCriticism, interpretation, etc.Electronic books. German fictionHistory and criticism.Narration (Rhetoric)History833/.910923O'Neill Patrick1945-1467686MiAaPQMiAaPQMiAaPQBOOK9910780423203321Acts of narrative3678452UNINA