02755nam 2200649 a 450 991078024940332120200520144314.00-511-04379-10-511-15342-20-511-01783-9(CKB)111087027189902(EBL)202014(OCoLC)707917647(SSID)ssj0000193063(PQKBManifestationID)11937199(PQKBTitleCode)TC0000193063(PQKBWorkID)10197729(PQKB)10760926(Au-PeEL)EBL202014(CaPaEBR)ebr5002298(MiAaPQ)EBC202014(EXLCZ)9911108702718990220010131d2001 uy 0engur|n|---|||||txtccrLiterary impressionism and modernist aesthetics[electronic resource] /Jesse MatzCambridge, U.K. ;New York Cambridge University Press20011 online resource (290 p.)Description based upon print version of record.0-521-80352-7 Includes bibliographical references (p. 250-274) and index.Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction Proust's deathless analogy; CHAPTER 1 Impressions of modernity; CHAPTER 2 Pater's homoerotic impression; CHAPTER 3 The woman of genius; CHAPTER 4 The distant laborer; CHAPTER 5 Woolf's phenomenological impression; CHAPTER 6 Three Impressionist allegories; Conclusion Mrs. Brown and Mrs. Bell; Notes; IndexMatz examines the writing of such modernists as James, Conrad and Woolf, who used the word impression to describe what they wanted their fiction to present. This study addresses the problems of perception and representation that occupied writers in the early decades of the twentieth century.English fiction20th centuryHistory and criticismImpressionism in literatureEnglish fiction19th centuryHistory and criticismModernism (Literature)Great BritainModernism (Literature)FranceAesthetics, ModernEnglish fictionHistory and criticism.Impressionism in literature.English fictionHistory and criticism.Modernism (Literature)Modernism (Literature)Aesthetics, Modern.820.9/11Matz Jesse1462570MiAaPQMiAaPQMiAaPQBOOK9910780249403321Literary impressionism and modernist aesthetics3687153UNINA