01265cam0-2200337---450-99000550778040332120101019154929.0000550778FED01000550778(Aleph)000550778FED0100055077819990604d1959----km-y0itay50------baitaITaf--b---00-yyPremio Morgan's Paintbiennale per la pittura, la scultura e il bianco e nerocon gli auspici del Comune, dell'Azienda autonoma di cura e soggiorno di Rimini, e dell'Ente provinciale per il turismo di ForliCatalogo dell'esposizione 1959Rimini, Palazzo dell'Arengo, 15 luglio-30 agosto 1959[a cura di A. Emiliani e S. Paganelli]PisaColorificio Toscano1959[54] p., 90 c. di tav.ill.24 cmArteSec. 20.Esposizioni1959707.4709.45074Emiliani,Andrea<1931- >Paganelli,SergioPremio Morgan's paint,2.<1959>434722ITUNINARICAUNIMARCBK990005507780403321709.45 MOSTRE RIMINI 1959ST.ARTE 5191FLFBCFLFBCPremio Morgan's paint294526UNINA01258nam a22003131i 450099100230206970753620040301194947.0040407s1988 xxu|||||||||||||||||mul b12902007-39ule_instARCHE-088162ExLDip.to Filologia Class. e Scienze FilosoficheitaA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.lateng874.01Catullus, Gaius Valerius161753Catullus /translated by Francis Warre Cornish. Tibullus / translated by J. P. Postgate. Pervigilium Veneris / translated by J. W. Mackail2. ed. /revised by G. P. GooldCambridge :Harvard University press ;London :W. Heinemann,1988XIV, 375 p. ;17 cmThe Loeb classical library ;6Tibullus, AlbiusMackail, John WilliamPostgate, John PercivalCornish, Francis Warre.b1290200702-04-1416-04-04991002302069707536LE007 Loeb 2712015000081766le007-E0.00-l- 00000.i1346758x16-04-04Carmina16131UNISALENTOle00716-04-04ma -mulxxu0105421nam 22009973u 450 991078010690332120221221224350.00-415-22098-X1-134-59889-01-280-07022-60-203-36102-4(CKB)111087026879362(EBL)170673(OCoLC)52984061(SSID)ssj0000308015(PQKBManifestationID)11247351(PQKBTitleCode)TC0000308015(PQKBWorkID)10250486(PQKB)10973071(MiAaPQ)EBC170673(EXLCZ)9911108702687936220151005d2003|||| uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierRe-imagining the museum beyond the mausoleum /Andrea WitcombLondon Taylor and Francis20031 online resource (x, 198 pages) illustrationsMuseum MeaningsDescription based upon print version of record.0-203-37778-8 ""Re-Imagining the Museum Beyond the Mausoleum""; ""Copyright""; ""Contents""; ""List of figures""; ""Acknowledgements""; ""Introduction""; ""1 Unmasking a different museum: museums and cultural criticism""; ""Close encounters""; ""2 Floating the museum""; ""Anchoring tourism in maritime museums""; ""Sidestepping the rhetoric""; ""The displacement of the citizen?""; ""3 From Batavia to Australia II: negotiating changes in curatorial practices""; ""The origins of the Western Australian Maritime Museum""; ""Implications for the curatorial culture at the Museum""; ""Conclusions""""4 A place for all of usa?? Museums and communities""""a?A place for all of usa??""; ""Teaching a?civic reforma?: the uses of community galleries""; ""Representation versus production""; ""The role of history and its impact on the curatorial process""; ""Community versus museum: empiricism versus abstraction""; ""Dialogue and cultural policy""; ""Where to now?""; ""5 Beyond the mausoleum: museums and the media""; ""Materialism and the temple as a treasure house""; ""Objects and power""; ""From treasure house to touch screens: the displacement of the object""""Modernity, popular culture and journalism"" ""The museum and the popular press: an Assyrian tale""; ""Tales of Paris""; ""â€?A museum for the global villageâ€?""; ""Media impacts""; ""6 Interactivity in museums: the politics of narrative style""; ""Interactivity and museums""; ""Technological interactivity and its limitations: the Museum of Tolerance""; ""â€?Spatialâ€? interactivity at the Australian National Maritime Museum""; ""Narrative as a design issue""; ""Understanding serial narratives: a media approach""; ""The politics of serial narratives in museums""""Serial narratives and history genres""""Dialogic interactivity at the Museum of Sydney""; ""A little history""; ""Creating dialogue""; ""Beyond the Museum of Sydney""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""Re-Imagining the Museum presents new interpretations of museum history and contemporary museum practices. Through a range of case studies from the UK, North America and Australia, Andrea Witcomb moves away from the idea that museums are always 'conservative' to suggest they have a long history of engaging with popular culture and addressing a variety of audiences. She argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals. Analyzing links between museums and the media, looking at the rMuseum MeaningsAustraliaCultural policyHistoriographyHistoryMass media and cultureMuseum exhibitsMuseum techniquesMuseumsMuseumsPhilosophyUnited StatesMuseumsHistoryGreat BritainMuseumsHistoryAustraliaMuseumsHistoryMuseum exhibitsHistoriographyMuseum techniquesHistoriographyCultural policyHistoryMass media and cultureHistoryPopular cultureHistoryMuseum PublicationsHILCCGeneralHILCCAustralia.Cultural policy.Historiography.History.Mass media and culture.Museum exhibits.Museum techniques.Museums.MuseumsPhilosophyMuseumsHistoryMuseumsHistoryMuseumsHistoryMuseum exhibitsHistoriographyMuseum techniquesHistoriographyCultural policyHistoryMass media and cultureHistoryPopular cultureHistoryMuseum PublicationsGeneral069Witcomb Andrea1965-.1111748AU-PeELAU-PeELAU-PeELBOOK9910780106903321Re-imagining the museum3810617UNINA