02631oam 2200613I 450 991078010060332120230421041335.01-134-96687-31-134-96688-11-280-32824-X0-203-13388-910.4324/9780203133880 (CKB)111056485509860(EBL)169503(OCoLC)85789006(SSID)ssj0000122277(PQKBManifestationID)11142714(PQKBTitleCode)TC0000122277(PQKBWorkID)10130660(PQKB)11551112(MiAaPQ)EBC169503(Au-PeEL)EBL169503(CaPaEBR)ebr10060625(CaONFJC)MIL32824(OCoLC)50921562(EXLCZ)9911105648550986020180331d1993 uy 0engurcn|||||||||txtccrCinema and spectatorship /Judith MayneLondon ;New York :Routledge,1993.1 online resource (198 p.)SightlinesDescription based upon print version of record.1-138-13644-1 0-415-03416-7 Includes bibliographical references and index.Book Cover; Title; Contents; List of illustrations; Acknowledgements; Introduction; THE SUBJECT OF SPECTATORSHIP; SPECTATORSHIP AS INSTITUTION; SPECTATORSHIP RECONSIDERED; PARADOXES OF SPECTATORSHIP; TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP; STAR-GAZING; WHITE SPECTATORSHIP AND GENRE-MIXING; THE CRITICAL AUDIENCE; Works cited; IndexCinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970's film theory insisted on a distinction between the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between ""subjects"" and ""viewers"" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issueSightlines (London, England)Motion picture audiencesMotion picture audiences.791.43/015Mayne Judith.780764MiAaPQMiAaPQMiAaPQBOOK9910780100603321Cinema and Spectatorship1731081UNINA