01087nam--2200361---450-99000326256020331620090604082531.0000326256USA01000326256(ALEPH)000326256USA0100032625620090604d1965----km-y0itay50------baengUSa---||||001yyDynamic programming and modern control theoryRichard Bellman abd Robert KalabaNew YorkAcademic Press1965XI, 112 p.ill.20 cmAcademic Paperbacks2001Academic PaperbacksProgrammazione519.703BELLMAN,Richard121312KALABA,Robert13914ITsalbcISBD990003262560203316519.703 BEL (A)5079/CBS519.70300221486BKSCIRSIAV69020090604USA010824RSIAV69020090604USA010825Dynamic programming and modern control theory1118841UNISA04554nam 2201021 a 450 991078008420332120211005023617.01-282-75873-X97866127587370-520-92221-21-59734-906-210.1525/9780520922211(CKB)111056485638816(EBL)224556(OCoLC)475931355(SSID)ssj0000248702(PQKBManifestationID)11200281(PQKBTitleCode)TC0000248702(PQKBWorkID)10203520(PQKB)11223627(MiAaPQ)EBC224556(OCoLC)49570132(MdBmJHUP)muse30684(DE-B1597)520821(DE-B1597)9780520922211(Au-PeEL)EBL224556(CaPaEBR)ebr10053530(CaONFJC)MIL275873(PPN)176221352(EXLCZ)9911105648563881619990713d2000 uy 0engurcn|||||||||txtccrSongs without music[electronic resource] aesthetic dimensions of law and justice /Desmond MandersonBerkeley, Calif. University of California Pressc20001 online resource (318 p.)Philosophy, social theory, and the rule of law ;7Description based upon print version of record.0-520-21688-1 Includes bibliographical references (p. [265]-297) and index.Front matter --Contents --Preface and Acknowledgments --Prelude: Senses and Symbols in Aesthetic Experience --Fugue: A Prospectus for the Aesthetic Dimension --Motet: Statutes and Music-An Aesthetic Methodology --Requiem: Green Death-Aesthetic Interpretations and Influences in the Death Penalty --Variations on a Theme: Metaphors of the Boundary and the Boundaries of Metaphor --Quartet for the End of Time: Legal Theory Against the Law --Quodlibet: Just Aesthetics and the Aesthetics of Justice --Notes --Bibliography --IndexIn this pathbreaking and provocative analysis of the aesthetics of law, the historian, legal theorist, and musician Desmond Manderson argues that by treating a text, legal or otherwise, as if it were merely a sequence of logical propositions, readers miss its formal and symbolic meanings. Creatively using music as a model, he demonstrates that law is not a sterile, rational structure, but a cultural form to be valued and enhanced through rhetoric and metaphors, form, images, and symbols. To further develop this argument, the book is divided into chapters, each of which is based on a different musical form. Law, for Manderson, should strive for neither coherence nor integrity. Rather, it is imperfectly realized, constantly reinterpreted, and always in flux. Songs without Music is written in an original, engaging, and often humorous style, and exhibits a deep knowledge of both law and music. It successfully traverses several disciplines and builds an original and persuasive argument for a legal aesthetic. The book will appeal to a broad readership in law, political theory, literary criticism, and cultural studies.Philosophy, social theory, and the rule of law ;7.Law and aestheticsaesthetics.argument.argumentation.composition.creative nonfiction.cultural studies.form.justice.law.legal argument.legal brief.legal interpretation.legal precedence.legal text.legal writing.literary criticism.living constitution.living law.metaphor.music theory.music.musical forms.narrative structure.narrative theory.nonfiction.philosophy.political theory.rhetoric.symbolism.text.writing.Law and aesthetics.340/.11Manderson Desmond304499MiAaPQMiAaPQMiAaPQBOOK9910780084203321Songs without music732540UNINA