04677nam 22010574a 450 991078007910332120230607213207.00-520-92726-51-59734-881-310.1525/9780520927261(CKB)111056485642024(EBL)222948(OCoLC)475926769(SSID)ssj0000240266(PQKBManifestationID)11204880(PQKBTitleCode)TC0000240266(PQKBWorkID)10267535(PQKB)10348825(StDuBDS)EDZ0000084653(MiAaPQ)EBC222948(DE-B1597)519541(OCoLC)50658137(DE-B1597)9780520927261(Au-PeEL)EBL222948(CaPaEBR)ebr10053538(EXLCZ)9911105648564202420010604d2002 ub 0engur|n|---|||||txtccrRussian opera and the symbolist movement[electronic resource] /Simon MorrisonBerkeley University of California Pressc20021 online resource (376 p.)California studies in 20th-century music ;2Description based upon print version of record.0-520-22943-6 Includes bibliographical references and index.Chaikovsky and decadence -- Rimsky-Korsakov and religious syncretism -- Scriabin and theurgy -- Prokofiev and mimesis.An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth century and the compositions of Prokofiev and Stravinsky, this exceptionally insightful and well-researched book explores how Russian symbolist poets interpreted opera and prompted operatic innovation. Simon Morrison shows how these works, though stylistically and technically different, reveal the extent to which the operatic representation of the miraculous can be translated into its enactment.Morrison treats these largely unstudied pieces by canonical composers: Tchaikovsky's Queen of Spades, Rimsky-Korsakov's Legend of the Invisible City of Kitezh and the Maiden Fevroniya, Scriabin's unfinished Mysterium, and Prokofiev's Fiery Angel. The chapters, revisionist studies of these composers and scores, address separate aspects of Symbolist poetics, discussing such topics as literary and musical decadence, pagan-Christian syncretism, theurgy, and life creation, or the portrayal of art in life. The appendix offers the first complete English-language translation of Scriabin's libretto for the Preparatory Act.Providing valuable insight into both the Symbolist enterprise and Russian musicology, this book casts new light on opera's evolving, ambiguous place in fin de siècle culture.California studies in 20th-century music ;2.OperaRussia (Federation)20th centurySymbolism (Literary movement)Russia (Federation)History20th centurycanonical composers.drama.fiery angel.fin de siecle.legend of the invisible city of kitezh.libretto.maiden fevroniya.miracles.music history.music interpretation.music theory.music.musicology.mysterium.opera.operatic innovation.performance.performing arts.poetics.prokofiev.queen of spades.rimsky korsakov.russian music.russian opera.scriabin.silver age.spectacle.stravinsky.supernatural russian music.supernatural.symbolist movement.syncretism.tchaikovsky.theater.theurgy.translation.OperaSymbolism (Literary movement)History782.1/092/247Morrison Simon Alexander1964-1451873MiAaPQMiAaPQMiAaPQBOOK9910780079103321Russian opera and the symbolist movement3775982UNINA02702nam 2200601z- 450 99634423760331620231214141255.03-8452-9697-6(CKB)4100000007812032(oapen)https://directory.doabooks.org/handle/20.500.12854/41563(EXLCZ)99410000000781203220202102d2019 |y 0gerurmn|---annantxtrdacontentcrdamediacrrdacarrierAuf der Jagd nach der SonneDas journalistische Feld und die Atomkraft in JapanNomos Verlagsgesellschaft mbH & Co. KG20191 electronic resource (629 p.)Studien zur Politischen Soziologie3-8487-5513-0 This book analyses the portrayal of nuclear power in Japanese journalism and the factors that influence it. Combining a field theoretical approach to journalism with frame analysis on different levels of the communication process, the author argues that the nuclear industry in Japan used its financial power to form a ‘pro-nuclear civil society’ and that this frame sponsorship is the reason for the relatively positive portrayal of nuclear power in Japan until 2011. After ‘Fukushima’, journalistic autonomy in this domain increased and journalism became a driving force of change in nuclear policy. At the same time, the field of journalism became polarised because its more heteronomous parts remained integrated into the ‘pro-nuclear civil society’. 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