04958nam 2200841Ia 450 991078005750332120230422042454.01-4008-0356-X1-282-75380-097866127538001-4008-2322-61-4008-1203-810.1515/9781400823222(CKB)111056486498162(EBL)617315(OCoLC)705527090(SSID)ssj0000218866(PQKBManifestationID)11175964(PQKBTitleCode)TC0000218866(PQKBWorkID)10228857(PQKB)10185133(MiAaPQ)EBC617315(OCoLC)51311740(MdBmJHUP)muse36072(DE-B1597)446181(OCoLC)979905080(DE-B1597)9781400823222(Au-PeEL)EBL617315(CaPaEBR)ebr10412044(CaONFJC)MIL275380(EXLCZ)9911105648649816219980914d1999 uy 0engurcn|||||||||txtccrPatterns for America[electronic resource] modernism and the concept of culture /Susan HegemanCore TextbookPrinceton, NJ Princeton University Pressc19991 online resource (275 p.)Description based upon print version of record.0-691-00134-0 0-691-00133-2 Includes bibliographical references (p. [215]-257) and index.Front matter --Contents --Acknowledgments --Introduction. The Domestication of Culture --1. Modernism, Anthropology, Culture --2. Dry Salvages: Spatiality, Nationalism, and the Invention of an "Anthropological" Culture --3. The National Genius: Van Wyck Brooks, Edward Sapir, and the Problem of the Individual --4. Terrains of Culture: Ruth Benedict, Waldo Frank, and the Spatialization of the Culture Concept --5. The Culture of the Middle: Class, Taste, and Region in the 1930's Politics of Art --6. "Beyond Relativity": James Agee and Others, Toward the Cold War --7. On Getting Rid of Culture: An Inconclusive Conclusion --Notes --IndexIn recent decades, historians and social theorists have given much thought to the concept of "culture," its origins in Western thought, and its usefulness for social analysis. In this book, Susan Hegeman focuses on the term's history in the United States in the first half of the twentieth century. She shows how, during this period, the term "culture" changed from being a technical term associated primarily with anthropology into a term of popular usage. She shows the connections between this movement of "culture" into the mainstream and the emergence of a distinctive "American culture," with its own patterns, values, and beliefs. Hegeman points to the significant similarities between the conceptions of culture produced by anthropologists Franz Boas, Edward Sapir, Ruth Benedict, and Margaret Mead, and a diversity of other intellectuals, including Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Dwight Macdonald. Hegeman reveals how relativist anthropological ideas of human culture--which stressed the distance between modern centers and "primitive" peripheries--came into alliance with the evaluating judgments of artists and critics. This anthropological conception provided a spatial awareness that helped develop the notion of a specifically American "culture." She also shows the connections between this new view of "culture" and the artistic work of the period by, among others, Sherwood Anderson, Jean Toomer, Thomas Hart Benton, Nathanael West, and James Agee and depicts in a new way the richness and complexity of the modernist milieu in the United States.American literature20th centuryHistory and criticismModernism (Literature)United StatesLiterature and anthropologyUnited StatesHistory20th centuryCultureUnited StatesHistory20th centuryNational characteristics, American, in literatureModernism (Aesthetics)United StatesArts, Modern20th centuryArts, AmericanUnited StatesCivilization20th centuryAmerican literatureHistory and criticism.Modernism (Literature)Literature and anthropologyHistoryCultureHistoryNational characteristics, American, in literature.Modernism (Aesthetics)Arts, ModernArts, American.810.9/112Hegeman Susan1964-1464732MiAaPQMiAaPQMiAaPQBOOK9910780057503321Patterns for America3674529UNINA