04524nam 2200889 a 450 991078004930332120221213232543.01-4008-0582-197866127671801-4008-2463-X1-282-76718-61-4008-1284-410.1515/9781400824632(CKB)111056486502464(EBL)617275(OCoLC)705526969(SSID)ssj0000100102(PQKBManifestationID)11981586(PQKBTitleCode)TC0000100102(PQKBWorkID)10016798(PQKB)10546687(SSID)ssj0000431839(PQKBManifestationID)11291224(PQKBTitleCode)TC0000431839(PQKBWorkID)10477156(PQKB)11783842(OCoLC)51494026(MdBmJHUP)muse35947(DE-B1597)446063(OCoLC)979834594(DE-B1597)9781400824632(Au-PeEL)EBL617275(CaPaEBR)ebr10031925(CaONFJC)MIL276718(MiAaPQ)EBC617275(EXLCZ)9911105648650246419930721d1994 uy 0engur|||||||||||txtccrThe afterlife of property domestic security and the Victorian novel /Jeff NunokawaCourse BookPrinceton, N.J. Princeton University Pressc19941 online resource (161 pages)Description based upon print version of record.0-691-11467-6 0-691-03320-X Includes bibliographical references (p. 143-149) and index.CHAPTER ONE. Introduction --CHAPTER TWO. Domestic Securities: Little Dorrit and the Fictions of Property --CHAPTER THREE. For Your Eyes Only: Private Property and the Oriental Body in Dombey and Son --CHAPTER FOUR. Daniel Deronda and the Afterlife of Ownership --CHAPTER FIVE. The Miser's Two Bodies: Sexual Perversity and the Flight from Capital in Silas Marner --Afterword --Notes --Works Cited --IndexIn The Afterlife of Property, Jeff Nunokawa investigates the conviction passed on by the Victorian novel that a woman's love is the only fortune a man can count on to last. Taking for his example four texts, Charles Dickens's Little Dorrit and Dombey and Son, and George Eliot's Daniel Deronda and Silas Marner, Nunokawa studies the diverse ways that the Victorian novel imagines women as property removed from the uncertainties of the marketplace. Along the way, he notices how the categories of economics, gender, sexuality, race, and fiction define one another in the Victorian novel. If the novel figures women as safe property, Nunokawa argues, the novel figures safe property as a woman. And if the novel identifies the angel of the house, the desexualized subject of Victorian fantasies of ideal womanhood, as safe property, it identifies various types of fiction, illicit sexualities, and foreign races with the enemy of such property: the commodity form. Nunokawa shows how these convergences of fiction, sexuality, and race with the commodity form are part of a scapegoat scenario, in which the otherwise ubiquitous instabilities of the marketplace can be contained and expunged, clearing the way for secure possession. The Afterlife of Property addresses literary and cultural theory, gender studies, and gay and lesbian studies.English fiction19th centuryHistory and criticismDomestic fiction, EnglishHistory and criticismDomestic relations in literatureHomosexuality in literatureProperty in literatureMarriage in literatureWomen in literatureSex in literatureEnglish fictionHistory and criticism.Domestic fiction, EnglishHistory and criticism.Domestic relations in literature.Homosexuality in literature.Property in literature.Marriage in literature.Women in literature.Sex in literature.828/.8Nunokawa Jeff1958-758312MiAaPQMiAaPQMiAaPQBOOK9910780049303321The afterlife of property3674457UNINA