04069nam 22007692 450 991077991790332120151005020622.01-107-11506-X0-511-15317-10-511-32777-30-511-17389-X0-511-48183-70-521-62380-41-280-41894-X0-511-05067-4(CKB)111056485624648(EBL)201743(OCoLC)51283885(SSID)ssj0000142426(PQKBManifestationID)11911862(PQKBTitleCode)TC0000142426(PQKBWorkID)10096739(PQKB)11012634(UkCbUP)CR9780511481833(MiAaPQ)EBC201743(Au-PeEL)EBL201743(CaPaEBR)ebr5006352(CaONFJC)MIL41894(EXLCZ)9911105648562464820090216d2001|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe early violin and viola a practical guide /Robin Stowell[electronic resource]Cambridge :Cambridge University Press,2001.1 online resource (xv, 234 pages) digital, PDF file(s)Cambridge Handbooks to the historical performance of musicTitle from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-62555-6 0-511-01915-7 Includes bibliographical references (p. 213-223) and index.Historical performance in context -- The repertory and principal sources -- Equipment -- Technique -- The language of musical style -- Historical awareness in practice 1, three eighteenth-century case studies: Corelli, Bach and Haydn -- Historical awareness in practice 2, three nineteenth-century case studies: Beethoven, Mendelssohn and Brahms -- Related family members.This practical guide is intended for all violinists and viola players who wish to give - or to understand and appreciate - historically aware performances of early music for their instruments. It comprises discussion of the literature, history and repertory of the violin and viola, the myriad relevant primary sources and their interpretation, and the various aspects of style and technique that combine to make up well-grounded, period performances. It also considers various related family instruments, contains practical advice on the acquisition of appropriate instruments, and offers suggestions for further reading and investigation. Many of the principles outlined are put into practice in case studies of six works composed c.1700-c.1900, the core period which forms this series' principal (though not exclusive) focus. Music by Corelli, Bach, Haydn, Beethoven, Mendelssohn and Brahms is examined with a view to recreating performances as faithful as possible to the composer's original intention.Cambridge Handbooks to the historical performance of music.The Early Violin & ViolaViolinPerformanceViolaPerformanceInstrumental music18th centuryInterpretation (Phrasing, dynamics, etc.)Instrumental music19th centuryInterpretation (Phrasing, dynamics, etc.)Performance practice (Music)History18th centuryPerformance practice (Music)History19th centuryViolinPerformance.ViolaPerformance.Instrumental musicInterpretation (Phrasing, dynamics, etc.)Instrumental musicInterpretation (Phrasing, dynamics, etc.)Performance practice (Music)HistoryPerformance practice (Music)History787.2/143/09033Stowell Robin736022UkCbUPUkCbUPBOOK9910779917903321The early violin and viola3768925UNINA