05138nam 2200877 a 450 991077990580332120230207222948.01-4008-1719-697866127533741-4008-2247-51-282-75337-11-4008-1271-210.1515/9781400822478(CKB)111056486505762(EBL)581629(OCoLC)700688654(SSID)ssj0000242212(PQKBManifestationID)11223053(PQKBTitleCode)TC0000242212(PQKBWorkID)10310645(PQKB)11761064(MiAaPQ)EBC581629(OCoLC)51542587(MdBmJHUP)muse35994(DE-B1597)446124(OCoLC)979749202(DE-B1597)9781400822478(Au-PeEL)EBL581629(CaPaEBR)ebr10035843(CaONFJC)MIL275337(EXLCZ)9911105648650576219971008d1998 uy 0engurnn#---|u||utxtccrThe science of sacrifice[electronic resource] American literature and modern social theory /Susan L. MizruchiCourse BookPrinceton, N.J. Princeton University Pressc19981 online resource (446 p.)Description based upon print version of record.0-691-01506-6 0-691-06892-5 Includes bibliographical references (p. 371-426) and index.Front matter --Contents --Acknowledgments --Introduction --CHAPTER ONE: Sacrificial Arts and Sciences --CHAPTER TWO: The Return to Sacrifice in Melville and Others --CHAPTER THREE: Rites of Passage in an "Awkward Age" --CHAPTER FOUR: Du Bois's Gospel of Sacrifice --Afterword --Notes --IndexFrom ritual killings to subtle acts of self-denial, the practice and rhetoric of sacrifice has a special centrality in modern American literature. In a compelling interdisciplinary investigation, Susan Mizruchi portrays an episode in American cultural history when the literary movement of realism and the fledgling field of sociology both converged in the belief that sacrifice is basic to sociality. This is a book about the fascination that sacrifice held for writers--principally Herman Melville, Henry James, and W.E.B. Du Bois--and also for those who articulated the main tenets of modern social theory, an inquiry that eventually spans historical events such as public lynchings and the political scapegoating of immigrants a century ago. The execution in Billy Budd Sailor, the death of Du Bois's first-born son in The Souls of Black Folk, Henry James's preoccupation with renunciation and scapegoating, and the self-denying working classes of Norris and Stein all illustrate repeated stagings of sacrificial rituals from a Biblical past. For Mizruchi, the peculiar persistence of this aesthetic construct becomes a guide to a rich theological and social-scientific tradition distinctive to the late nineteenth and early twentieth centuries, and including such influential works as Smith's Lectures on the Religion of the Semites, Frazer's Golden Bough, and Ross's Sin and Society. The major features of sacrifice--its original association with spiritual doubt, its function as a form of spiritual economics that sustained divisions between the fortunate and the bereft, and its role in fixing boundaries between aliens and kin--held strong symbolic value for writers struggling to reconcile faith with rationalism, and communal coherence with capitalist expansion. Mizruchi eloquently demonstrates how the conceptual power of sacrifice made it a key mediator of cultural change, from the decline of sympathy and the significance of "race" in an emerging multicultural society to the revival of maternal self-sacrifice.American literatureHistory and criticismSacrifice in literatureLiterature and anthropologyUnited StatesLiterature and societyUnited StatesRites and ceremonies in literatureHuman sacrifice in literatureSelf-sacrifice in literatureSocial problems in literatureScapegoat in literatureRealism in literatureAmerican literatureHistory and criticism.Sacrifice in literature.Literature and anthropologyLiterature and societyRites and ceremonies in literature.Human sacrifice in literature.Self-sacrifice in literature.Social problems in literature.Scapegoat in literature.Realism in literature.810.9/353Mizruchi Susan L(Susan Laura)1518795MiAaPQMiAaPQMiAaPQBOOK9910779905803321The science of sacrifice3756559UNINA