01000nam0 2200289 450 00000412820081030162733.020020725d1958----km-y0itay50------baengUSCAGBy-------001yyFoundations of information theoryAmiel FeinsteinNew YorkTorontoLondonMcGraw-Hill book company1958X, 137 p.24 cmMcGraw-Hill electrical and electronic engineering series2001McGraw-Hill electrical and electronic engineering seriesFoundations of information theory38185Teoria della informazioneStatistica matematica001.539Feinstein,Amiel26421ITUNIPARTHENOPE20081030RICAUNIMARC000004128215/27374/L/CNRNAVA2001.539/10113654NAVA120020725Foundations of information theory38185UNIPARTHENOPE02457nam 2200493 450 991047996980332120211005194406.03-657-77752-010.30965/9783657777525(CKB)4920000000125494(OCoLC)864644827(nllekb)BRILL9783657777525(MiAaPQ)EBC6517176(Au-PeEL)EBL6517176(OCoLC)1243553234(EXLCZ)99492000000012549420191130d2013 uy 0engurun| uuuuatxtrdacontentcrdamediardacarrierInterdisziplinäres Plenum Sprache /Walter Krämer; Anthony Cragg; Karl Zilles; Tony CraggPaderborn :Verlag Ferdinand Schöningh,2013.1 online resourceNordrhein-Westfälische Akademie der Wissenschaften und der Künste - Plenum ;13-506-77752-1 Preliminary Material /Tony Cragg , Walter Krämer and Zilles Karl -- Gehirn und Sprache /Karl Zilles -- Sprache und Geld /Walter Krämer -- Mir fehlen die Worte – Formsprache /Tony Cragg.Die Nordrhein-Westfälische Akademie der Wissenschaften und der Künste ist eine Vereinigung der führenden Forscherinnen und Forscher des Landes. Sie wurde 1970 als Nachfolgeeinrichtung der Arbeitsgemeinschaft für Forschung des Landes Nordrhein-Westfalen gegründet. Die Akademie ist in drei wissenschaftliche Klassen für Geisteswissenschaften, für Naturwissenschaften und Medizin sowie für Ingenieur- und Wirtschaftswissenschaften und in eine Klasse der Künste gegliedert. Mit Publikationen zu den wissenschaftlichen Vorträgen in den Klassensitzungen, zu öffentlichen Veranstaltungen und Symposien will die Akademie die Fach- und allgemeine Öffentlichkeit über die Arbeiten der Akademie und ihrer Forschungsstellen informieren.Nordrhein-Westfälische Akademie der Wissenschaften und der Künste - Plenum ;1.Language and languagesElectronic books.Language and languages.400Krämer Walter267982Cragg AnthonyZilles KarlCragg TonyNL-LeKBNL-LeKBBOOK9910479969803321Interdisziplinäres Plenum Sprache1899955UNINA03945nam 2200709 a 450 991077990330332120230421041419.01-282-75187-597866127518751-4008-2117-71-4008-1241-010.1515/9781400821174(CKB)111056486506782(EBL)581620(OCoLC)700688644(SSID)ssj0000135391(PQKBManifestationID)11954094(PQKBTitleCode)TC0000135391(PQKBWorkID)10058884(PQKB)11247457(MiAaPQ)EBC581620(OCoLC)51551030(MdBmJHUP)muse35954(DE-B1597)446060(OCoLC)979592491(DE-B1597)9781400821174(Au-PeEL)EBL581620(CaPaEBR)ebr10002101(CaONFJC)MIL275187(EXLCZ)9911105648650678219921028d1993 uy 0engurnn#---|u||utxtccrDeadly musings[electronic resource] violence and verbal form in American fiction /Michael KowalewskiCore TextbookPrinceton, N.J. Princeton University Pressc19931 online resource (312 p.)Description based upon print version of record.0-691-06973-5 Includes bibliographical references (p. 257-290) and index.Front matter --Contents --Acknowledgments --INTRODUCTION: Reading Violence, Making Sense --CHAPTER I. Invisible Ink --CHAPTER II. James Fenimore Cooper --CHAPTER III. Poe's Violence --CHAPTER IV. Violence and Style in Stephen Crane's Fiction --CHAPTER V. The Purity of Execution in Hemingway's Fiction --CHAPTER VI. Faulkner --CHAPTER VII. Flannery O'Connor --CHAPTER VIII. "The Late, Late, Late Show" --POSTSCRIPT: Style, Violence, American Fiction --Notes --Index"Violent scenes in American fiction are not only brutal, bleak, and gratuitous," writes Michael Kowalewski. "They are also, by turns, comic, witty, poignant, and sometimes, strangely enough, even terrifyingly beautiful." In this fascinating tour of American fiction, Kowalewski examines incidents ranging from scalpings and torture in The Deerslayer to fish feeding off human viscera in To Have and Have Not, to show how highly charged descriptive passages bear on major issues concerning a writer's craft. Instead of focusing on violence as a socio-cultural phenomenon, he explores how writers including Cooper, Poe, Crane, Hemingway, Faulkner, Wright, Flannery O'Connor, and Pynchon draw on violence in the realistic imagining of their works and how their respective styles sustain or counteract this imagining. Kowalewski begins by offering a new definition of realism, or realistic imagining, and the rhetorical imagination that seems to oppose it. Then for each author he investigates how scenes of violence exemplify the stylistic imperatives more generally at work in that writer's fiction. Using violence as the critical occasion for exploring the distinctive qualities of authorial voice, Deadly Musings addresses the question of what literary criticism is and ought to be, and how it might apply more usefully to the dynamics of verbal performance.American fictionHistory and criticismViolence in literatureStyle, LiteraryLiterary formAmerican fictionHistory and criticism.Violence in literature.Style, Literary.Literary form.813.009/355Kowalewski Michael567673MiAaPQMiAaPQMiAaPQBOOK9910779903303321Deadly musings3756535UNINA