02695nam 2200577 a 450 991077986860332120230816221055.03-11-032038-X10.1515/9783110320381(CKB)2550000001097214(EBL)1215537(OCoLC)851972082(SSID)ssj0000801358(PQKBManifestationID)11957545(PQKBTitleCode)TC0000801358(PQKBWorkID)10789830(PQKB)10166836(MiAaPQ)EBC1215537(DE-B1597)210616(OCoLC)853266629(DE-B1597)9783110320381(Au-PeEL)EBL1215537(CaPaEBR)ebr10729083(CaONFJC)MIL503748(EXLCZ)99255000000109721420130812d2012 uy 0engur||#||||||||txtrdacontentcrdamediacrrdacarrierSensibility and the sublime /David WeissmanFrankfurt ;New Brunswick Ontos Verlag20121 online resource (129 pages)3-11-032009-6 1-299-72497-3 Includes bibliographical references and index.Frontmatter --Acknowledgments --Table of Contents --Introduction --Chapter One. Sensibility --Chapter Two. Applications --Chapter Three. Irresolution --Chapter Four. Interiority and Selfhood --Index --BackmatterPhilosophic attention shifted after Hegel from Kant's emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new technologies: photography displaced figurative painting; hearing recorded music reduced the interest in learning to play it. The firm interiority that Hegel assumed was undermined by the speed, mechanization, and distractions of modern life. We inherit two problems: restore quality and conviction in the arts; cultivate the interiority-the sensibility-that is a condition for judgment in every domain. What is sensibility's role in experiences of every sort, but especially those provoked when art is made and enjoyed?Sublime, TheSensitivity (Personality trait)Sublime, The.Sensitivity (Personality trait)Weissman David1542462MiAaPQMiAaPQMiAaPQBOOK9910779868603321Sensibility and the sublime3795293UNINA