02560nam 2200625 a 450 991077984170332120200520144314.01-78238-901-60-85745-950-310.1515/9780857459503(CKB)2550000001108958(EBL)1337742(OCoLC)855505464(SSID)ssj0000955159(PQKBManifestationID)12421307(PQKBTitleCode)TC0000955159(PQKBWorkID)10943404(PQKB)10398847(MiAaPQ)EBC1337742(Au-PeEL)EBL1337742(CaPaEBR)ebr10745054(CaONFJC)MIL509045(DE-B1597)635962(DE-B1597)9780857459503(EXLCZ)99255000000110895820130327d2013 uy 0engur|n|---|||||txtccrSupercinema[electronic resource] film-philosophy for the digital age /William Brown1st ed.New York Berghahn Books20131 online resource (196 p.)Description based upon print version of record.0-85745-949-X 1-299-77794-5 Includes bibliographical references and index.Digital cinema's conquest of space -- The deanthropocentric character of digital cinema -- From temporalities to time in digital cinema -- The film-spectator-world assemblage -- Concluding with love. Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to tMotion picturesDigital cinematographyMotion pictures.Digital cinematography.777AP 46500rvkBrown William1977-1467990MiAaPQMiAaPQMiAaPQBOOK9910779841703321Supercinema3678896UNINA