04743oam 2200781I 450 991077974030332120230803021038.01-136-31103-30-415-52802-X0-203-11868-51-136-31104-110.4324/9780203118689(CKB)2550000001096217(EBL)1244766(OCoLC)852758100(SSID)ssj0000918412(PQKBManifestationID)12450868(PQKBTitleCode)TC0000918412(PQKBWorkID)10894603(PQKB)10613720(MiAaPQ)EBC1244766(Au-PeEL)EBL1244766(CaPaEBR)ebr10728166(CaONFJC)MIL502795(OCoLC)852158286(FINmELB)ELB135536(EXLCZ)99255000000109621720180706d2013 uy 0engur|n|---|||||txtccrThe music documentary acid rock to electropop /edited by Robert Edgar, Kirsty Fairclough-Isaacs, Benjamin HalliganNew York, N.Y. ;Abingdon, Oxon :Routledge,2013.1 online resource (264 p.)Routledge music and screen media seriesRoutledge music and screen media seriesDescription based upon print version of record.0-415-52801-1 1-299-71544-3 Includes bibliographical references and index.Cover ; Title Information; Title Page; Copyright Page; Dedication ; Table of Contents; Series Foreword; Preface; Acknowledgments; Introduction: Music Seen: The Formats and Functions of the Music Documentary; Part I: Evolutions of the Music Documentary ; 1 Tony Palmer's All You Need Is Love: Television's First Pop History; 2 Retrospective Compilations: (Re)defining the Music Documentary; 3 Sound and Vision: Radio Documentary, Fandom, and New Participatory Cultures; Part II: Scenes from the Sixties ; 4 The Good, The Bad, and The Ugly '60s: The Opposing Gazes of Woodstock and Gimme Shelter5 "Let Your Bullets Fly, My Friend": Jimi Hendrix at Berkeley 6 "You Can't Always Get What You Want": Riding on The Medicine Ball Caravan; Part III: Punk Cultures ; 7 No Wave Film and the Music Documentary: From No Wave Cinema "Documents" to Retrospective Documentaries; 8 The Anxiety of Authenticity: Post-punk Film in the 2000s; 9 "Every Tongue Brings in a Several Tale": The Filth and the Fury's Counterhistorical Transgressions; Part IV: "Mockumentaries" and "Rockumentaries" ; 10 The Circus is in Town: Rock Mockumentaries and the Carnivalesque11 Visualizing Live Albums: Progressive Rock and the British Concert Film in the 1970sPart V: New Directions in the Music Documentary ; 12 "Moogie Wonderland": Technology, Modernity, and the Music Documentary; 13 An Ethnographic Video Project for the Music Classroom; 14 Mediating The Agony and the Ecstasy of Phil Spector: Documenting Monstrosity?; 15 Desperately Seeking Kylie! Critical Reflections on William Baker's White Diamond; List of Contributors; Index<P><EM>The Music Documentary</EM> offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artefact in documenting stars and icons, and musicians and their times - particularly for those figures whose fame was achieved posthumously. </P><P></P><P>In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights iRoutledge music and screen media series.Documentary filmsHistory and criticismDocumentary television programsHistory and criticismMusicians in motion picturesConcert filmsHistory and criticismRock filmsHistory and criticismDocumentary filmsHistory and criticism.Documentary television programsHistory and criticism.Musicians in motion pictures.Concert filmsHistory and criticism.Rock filmsHistory and criticism.780.26/7Edgar-Hunt Robert1581801Fairclough-Isaacs Kirsty1581802Halligan Benjamin1551489MiAaPQMiAaPQMiAaPQBOOK9910779740303321The music documentary3863621UNINA