02900nam 22006253u 450 991077965870332120230126203337.00-203-70844-X1-299-48336-41-135-03270-X(CKB)2550000001020434(EBL)1433669(SSID)ssj0000905792(PQKBManifestationID)11574944(PQKBTitleCode)TC0000905792(PQKBWorkID)10926387(PQKB)10199159(MiAaPQ)EBC1433669(OCoLC)846968127(FINmELB)ELB132785(EXLCZ)99255000000102043420131007d2013|||| u|| |engur|n|---|||||txtccrPower on Display[electronic resource] The Politics of Shakespeare's GenresHoboken Taylor and Francis2013London :Routledge,2005.1 online resource (216 p.)Routledge library editions. Shakespeare. History & politics ;6Description based upon print version of record.0-415-35315-7 Includes bibliographical references and index.Cover; POWER ON DISPLAY; Title Page; Copyright Page; Table of Contents; Acknowledgments; INTRODUCTION Shakespeare and the scene of reading; 1 STAGING CARNIVAL Comedy and the politics of the aristocratic body; 2 RITUALS OF STATE History and the Elizabethan strategies of power; 3 THE THEATER OF PUNISHMENT Jacobean tragedy and the polities of misogyny; 4 FAMILY RITES City comedy, romance, and the strategies of patriarchalism; Notes; IndexFirst published in 1986. 'Impressively open to the complexity of cultural discourses, to the ways in which one discursive form may function as a screen for another above all to the political entailment of genre.' Stephen Greenblatt.What is the relation between literary and political power? How do the symbolic dimensions of social practice and the social dimensions of artistic practice relate to one another? Power on Display considers Shakespeare's progression from romantic comedies and history plays to tragedy and romance in the light of the general prEnglishHILCCLanguages & LiteraturesHILCCEnglish LiteratureHILCCGreat BritainHistoryElizabeth, 1558-1603HistoriographyGreat BritainHistoryJames I, 1603-1625HistoriographyEnglishLanguages & LiteraturesEnglish Literature822.3/3Tennenhouse Leonard296925ebrary, IncAU-PeELAU-PeELAU-PeELBOOK9910779658703321Power on display150124UNINA