02556nam 2200601Ia 450 991077957260332120230803020436.00-19-932372-00-19-025452-11-299-45689-80-19-985823-3(CKB)2550000001018760(OCoLC)839304494(CaPaEBR)ebrary10686679(SSID)ssj0000860166(PQKBManifestationID)12386611(PQKBTitleCode)TC0000860166(PQKBWorkID)10895510(PQKB)11058927(StDuBDS)EDZ0001029589(MiAaPQ)EBC1132281(Au-PeEL)EBL1132281(CaPaEBR)ebr10686679(CaONFJC)MIL476939(EXLCZ)99255000000101876020121011d2013 uy 0engur|||||||||||txtccrDemocracy of sound[electronic resource] music piracy and the remaking of American copyright in the twentieth century /Alex Sayf CummingsNew York Oxford University Press20131 online resource (272 p.) Bibliographic Level Mode of Issuance: Monograph0-19-067511-X 0-19-985822-5 Includes bibliographical references and index.Music, machines, and monopoly -- Collectors, con men, and the struggle for property rights -- Piracy and the rise of new media -- Counterculture, popular music, and the bootleg boom -- The criminalization of piracy -- Deadheads, hip hop, and the possibility of compromise -- The global war on piracy. -'Democracy of Sound' tells the story of the pirates, radicals, jazzbos, deadheads, and DJs who challenged the record industry for control of recorded sound throughout the 20th century. A political and cultural history, it shows how the primacy of 'intellectual property' gradually eclipsed an American political tradition that was suspicious of monopolies and favoured free competition.CopyrightMusicUnited StatesHistory20th centuryPiracy (Copyright)United StatesHistory20th centuryCopyrightMusicHistoryPiracy (Copyright)History346.7304/82Cummings Alex Sayf1519611MiAaPQMiAaPQMiAaPQBOOK9910779572603321Democracy of sound3757828UNINA