03687oam 2200673I 450 991077930420332120230725055559.01-135-71811-30-203-72069-51-283-88745-21-135-71804-010.4324/9780203720691 (CKB)2550000000710514(EBL)1099209(OCoLC)823389289(SSID)ssj0000787030(PQKBManifestationID)11486524(PQKBTitleCode)TC0000787030(PQKBWorkID)10803139(PQKB)11270355(OCoLC)822561626(MiAaPQ)EBC1099209(Au-PeEL)EBL1099209(CaPaEBR)ebr10639061(CaONFJC)MIL419995(FINmELB)ELB134661(EXLCZ)99255000000071051420180706d2011 uy 0engur|n|---|||||txtccrFilming the nation Jung, film, neo-realism and Italian national identity /Donatella Spinelli ColemanHove, East Sussex ;New York :Routledge,2011.1 online resource (241 p.)Description based upon print version of record.0-415-55514-0 0-415-55513-2 Includes bibliographical references and index.Filming the Nation Jung, Film, neo-realism and Italian national identity; Copyright; Contents; Acknowledgments; Introduction; Primo tempo; Chapter 1The uninvited guest: film, psychoanalysis and the Jungian absence; Chapter 2Archetype and complex: the paradox of dynamic structures; Chapter 3Jung, film and nation: image as witness of a process of becoming; Intervallo; Chapter 4Italian neo-realism and the unmitigated darkness of historical truth; Secondo tempo; Chapter 51942-1945: War and archetypes - an orphan nation with a legacy of murderChapter 61947-1949: clearing the debt to the maternal between war and reconstructionChapter 71949-1952: Redeemers, tricksters and the wisdom of the unconscious; Conclusion; Bibliography; Index"Italian Neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorisations of film and national identity, Filming The Nation re-interprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming The Nation revisits the concept of national identity and its 'construction' from a perspective which combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis"--Provided by publisher.Motion picturesItalyMotion picturesPsychological aspectsCulture in motion picturesItalyIn motion picturesMotion picturesMotion picturesPsychological aspects.Culture in motion pictures.791.43/65845Spinelli Coleman Donatella1963-,246888MiAaPQMiAaPQMiAaPQBOOK9910779304203321Filming the nation3708434UNINA