04907nam 22009735 450 991077928420332120231006165104.01-280-49188-497866135871140-520-95135-210.1525/9780520951358(CKB)2550000000101579(EBL)919525(OCoLC)794328504(SSID)ssj0000678063(PQKBManifestationID)11930412(PQKBTitleCode)TC0000678063(PQKBWorkID)10697026(PQKB)10935779(StDuBDS)EDZ0000092614(DE-B1597)518698(DE-B1597)9780520951358(MiAaPQ)EBC919525(EXLCZ)99255000000010157920200424h20122012 fg engur|n|---|||||txtrdacontentcrdamediacrrdacarrierJazz/Not Jazz The Music and Its Boundaries /David Ake, Charles Hiroshi Garrett, Daniel Ira GoldmarkBerkeley, California :University of California Press,[2012]©20121 online resource (312 pages)Description based upon print version of record.0-520-27103-3 Includes bibliographical references and index.Frontmatter --Contents --List of Illustrations --Acknowledgments --Introduction --1. Incorporation and Distinction in Jazz History and Jazz Historiography --2. Louis Armstrong Loves Guy Lombardo --3. The Humor of Jazz --4. Creating Boundaries in the Virtual Jazz Community --5. Latin Jazz, Afro- Latin Jazz, Afro- Cuban Jazz, Cubop, Ca rib be an Jazz, Jazz Latin, or Just . . . Jazz: The Politics of Locating an Intercultural Music --6. Jazz with Strings: Between Jazz and the Great American Songbook --7. "Slightly Left of Center": Atlantic Rec ords and the Problems of Genre --8. The Praxis of Composition- Improvisation and the Poetics of Creative Kinship --9. The Sound of Struggle: Black Revolutionary Nationalism and Asian American Jazz --10. Voices from the Jazz Wilderness: Locating Pacific Northwest Vocal Ensembles within Jazz Education --11. Crossing the Street: Rethinking Jazz Education --12. Deconstructing the Jazz Tradition: The "Subjectless Subject" of New Jazz Studies --Contributors --IndexWhat is jazz? What is gained-and what is lost-when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional histories of the form. David Ake, Charles Hiroshi Garrett, and Daniel Goldmark have assembled a stellar group of writers to look beyond the canon of acknowledged jazz greats and address some of the big questions facing jazz today. More than just a history of jazz and its performers, this collections seeks out those people and pieces missing from the established narratives to explore what they can tell us about the way jazz has been defined and its history has been told.Jazz - History and criticismJazz -- History and criticismJazzHistory and criticism20th century america.20th century music.african american history.african american jazz.afro-latin jazz.american music history.american music.asian american jazz.black music.books for music lovers.caribbean jazz.evolution of jazz.history of jazz.history of music.intercultural music.jazz and blues.jazz icons.jazz literature.jazz lovers.jazz music.jazz performers.jazz studies.jazz tradition.latin jazz.louis armstrong.music and culture.music history majors.music studies.musicians.Jazz - History and criticism.Jazz -- History and criticism.JazzHistory and criticism781.65Ake David Andrew1961-edthttp://id.loc.gov/vocabulary/relators/edtGarrett Charles Hiroshi1966-edthttp://id.loc.gov/vocabulary/relators/edtGoldmark Danieledthttp://id.loc.gov/vocabulary/relators/edtDE-B1597DE-B1597BOOK9910779284203321Jazz308485UNINA