03667nam 2200637 a 450 991077901530332120230802005026.01-280-57717-797866136068841-4411-1506-4(CKB)2550000000101361(EBL)918763(OCoLC)793996910(SSID)ssj0000657941(PQKBManifestationID)12313658(PQKBTitleCode)TC0000657941(PQKBWorkID)10680482(PQKB)11765199(MiAaPQ)EBC918763(Au-PeEL)EBL918763(CaPaEBR)ebr10562616(CaONFJC)MIL360688(EXLCZ)99255000000010136120120109d2012 uy 0engur|n|---|||||txtccrThe phenomenology of modern art[electronic resource] exploding Deleuze, illuminating style /Paul Crowther1st ed.New York Continuum International Pub. Group20121 online resource (301 p.)Key ThinkersDescription based upon print version of record.1-4411-3091-8 1-4411-4258-4 Includes bibliographical references and index.Cover; Half title; Seriespage; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Introduction: The Interpretation of Modern Art; Chapter One: Releasing Style from Sensation: Deleuze, Francis Bacon and Modern Painting; Introduction; Part One; Part Two; Part Three; Part Four; Conclusion; Chapter Two: Origins of Modernism and the Avant-Garde; Introduction; Part One; Part Two; Part Three; Chapter Three: Nietzsche and the Varieties of Expressionism; Introduction; Part One; Part Two; Part Three; Part Four; Chapter Four: Merleau-Ponty's Cezanne; Introduction; Part One; Part TwoPart ThreePart Four; Conclusion; Chapter Five: Interpreting Cubist Space: From Kant to Phenomenology; Introduction; Part One; Part Two; Part Three; Part Four; Chapter Six: Duchamp, Kant, and Conceptual Phenomena; Introduction; Part One; Part Two; Conclusion; Chapter Seven: Greenberg's Kant and Modernist Painting; Introduction; Part One; Part Two; Chapter Eight: Deleuze and the Interpretation of Abstract Art; Introduction; Part One; Part Two; Conclusion; Chapter Nine: Plane Truths: Hans Hofmann, Modern Art and the Meaning of Abstraction; Introduction; Part One; Part Two; Part Three; Part FourPart FiveConclusion; Notes; Bibliography; Index; Plates 1; Plates 2; Plates 3; Plates 4As a philosophical approach, phenomenology is concerned with structure in how phenomena are experienced. The Phenomenology of Modern Art uses phenomenological insights to explain the significance of style in modern art, most notably in Impressionism, Expressionism, Cezanne and Cubism, Duchampian conceptualism and abstract art. Paul Crowther explores this thematic approachin a new way, addressing specific visual artworks and tendencies in detail and introduces a new methodology- post-analytic phenomenology. It is this more critical, post-analytic orientation that allows the book to utilise someKey ThinkersArt, Modern20th centuryPhenomenologyArt, ModernPhenomenology.709.04001Crowther Paul170369MiAaPQMiAaPQMiAaPQBOOK9910779015303321The phenomenology of modern art3838721UNINA