02388nam 2200577Ia 450 991077890130332120230421034041.00-19-772861-81-280-44087-20-19-536163-61-60129-813-7(CKB)111004366525790(EBL)272352(OCoLC)47008864(SSID)ssj0000207049(PQKBManifestationID)11189473(PQKBTitleCode)TC0000207049(PQKBWorkID)10235453(PQKB)11267522(Au-PeEL)EBL272352(CaPaEBR)ebr10279494(MiAaPQ)EBC272352(EXLCZ)9911100436652579019930517d1997 uy 0engur|n|---|||||txtccrMusic and the silent film[electronic resource] contexts and case studies, 1895-1924 /Martin Miller MarksNew York Oxford University Press19971 online resource (320 p.)Revision of the author's thesis (doctoral)--Harvard University, 1990.0-585-35077-9 0-19-506891-2 Includes bibliographical references (p. 221-294) and index.Contents; Appendix Contents; List of Figures; ONE: Film and Music: An Introduction to Research; TWO: First Stages, Dimly Lit: Sources and Scores Prior to 1910; THREE: Film Scores in America, 1910-14; FOUR: Breil's Score for The Birth of a Nation; FIVE: Erik Satie's Score for Entr'acte; Appendix; Notes; IndexMost people's view of silent film music is of a pianist playing old scores while watching the flickering screen. This title shows that there was much more to silent films and that often it was planned from the start as an integral part of the film. The author argues that film scores are a major and vibrant part of 20th century music.Silent film musicHistory and criticismMotion picture musicSilent film musicHistory and criticism.Motion picture music.781.5/42Marks Martin Miller1557541MiAaPQMiAaPQMiAaPQBOOK9910778901303321Music and the silent film3821184UNINA