04692nam 2201009Ia 450 991077840270332120230724185100.01-282-35997-597866123599720-520-94489-510.1525/9780520944893(CKB)1000000000811831(EBL)470936(OCoLC)503092483(SSID)ssj0000310060(PQKBManifestationID)11282545(PQKBTitleCode)TC0000310060(PQKBWorkID)10287253(PQKB)11534141(StDuBDS)EDZ0000056151(MdBmJHUP)muse30407(DE-B1597)518839(OCoLC)1013183343(DE-B1597)9780520944893(Au-PeEL)EBL470936(CaPaEBR)ebr10343493(CaONFJC)MIL235997(MiAaPQ)EBC470936(EXLCZ)99100000000081183120090306d2009 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierThe spectacle of deformity freak shows and modern British culture /Nadja DurbachBerkeley :University of California Press,2009.1 online resource (xiii, 273 pages)0-520-25768-5 Includes bibliographical references and index.Frontmatter --Contents --Illustrations --Acknowledgments --Introduction / Exhibiting Freaks --1 / Monstrosity, Masculinity, and Medicine: Reexamining "the Elephant Man" --2 / Two Bodies, Two Selves, Two Sexes: Conjoined Twins and "the Double-Bodied Hindoo Boy" --3 / The Missing Link and the Hairy Belle: Evolution, Imperialism, and "Primitive" Sexuality --4 / Aztecs and Earthmen: Declining Civilizations and Dying Races --5 / "When the Cannibal King Began to Talk": Performing Race, Class, and Ethnicity --Conclusion / The Decline of the Freak Show --Notes --Bibliography --IndexIn 1847, during the great age of the freak show, the British periodical Punch bemoaned the public's "prevailing taste for deformity." This vividly detailed work argues that far from being purely exploitative, displays of anomalous bodies served a deeper social purpose as they generated popular and scientific debates over the meanings attached to bodily difference. Nadja Durbach examines freaks both well-known and obscure including the Elephant Man; "Lalloo, the Double-Bodied Hindoo Boy," a set of conjoined twins advertised as half male, half female; Krao, a seven-year-old hairy Laotian girl who was marketed as Darwin's "missing link"; the "Last of the Mysterious Aztecs" and African "Cannibal Kings," who were often merely Irishmen in blackface. Upending our tendency to read late twentieth-century conceptions of disability onto the bodies of freak show performers, Durbach shows that these spectacles helped to articulate the cultural meanings invested in otherness--and thus clarified what it meant to be British-at a key moment in the making of modern and imperial ideologies and identities.Abnormalities, HumanGreat BritainHistory19th centuryFreak showsGreat BritainHistory19th centuryHuman bodySocial aspectsGreat BritainHistory19th century1847.anthropology.british culture.cannibal kings.conjoined twins.cultural otherness.cultural studies.deformity.disability.elephant man.european history.exploitation.freak show performers.freak shows.great britain.human bodies.imperial ideology.lalloo.missing link.modern history.modern identity.modern sensibilities.national identity.nonfiction.psychology.scientists.social history.social issues.social purpose.social purposes.Abnormalities, HumanHistoryFreak showsHistoryHuman bodySocial aspectsHistory791.35094109034Durbach Nadja1971-1474514MiAaPQMiAaPQMiAaPQBOOK9910778402703321The spectacle of deformity3688271UNINA