02595nam 2200565 a 450 991077827340332120230721031941.00-8166-9894-5(CKB)1000000000481118(EBL)322595(OCoLC)476120197(SSID)ssj0000157068(PQKBManifestationID)11179219(PQKBTitleCode)TC0000157068(PQKBWorkID)10137937(PQKB)11078090(MiAaPQ)EBC322595(OCoLC)182856775(MdBmJHUP)muse39147(Au-PeEL)EBL322595(CaPaEBR)ebr10202564(CaONFJC)MIL522468(EXLCZ)99100000000048111820060517d2007 ub 0engurcn|||||||||txtccrForest of pressure[electronic resource] Ogawa Shinsuke and postwar Japanese documentary /Abé Mark NornesMinneapolis University of Minnesota Pressc20071 online resource (345 p.)Visible evidence ;v. 18Description based upon print version of record.0-8166-4908-1 0-8166-4907-3 Includes bibliographical references (p. 279-287) and index.Includes filmography: p. 289-299.Contents; Acknowledgments; Introduction; 1 Ogawa as Postwar Documentarist; 2 Jieiso: Ogawa's First Collectivity; 3 The Sanrizuka Series; 4 Segue: From "Sanrizuka Ogawa Pro" to "Documentary Cinema Ogawa Pro"; 5 The Magino Village Story; 6 After Ogawa; Postscript; Notes; Filmography; Distribution Resources; IndexOgawa Productions-known in Asia as Ogawa Pro-was an influential filmmaking collective that started in the 1960's under the direction of Ogawa Shinsuke (1936-1992). Between 1968 and the mid-1970's, Ogawa Pro electrified the Japanese student movement with its Sanrizuka documentary series-eight films chronicling the massive protests over the construction of the Narita airport-which has since become the standard against which documentaries are measured in Japan. A critical biography of a collective, Forest of Pressure explores the emergence of socially committed documentary filmmaking in postwar JapVisible evidence ;v. 18.070.1/8Nornes Markus851190MiAaPQMiAaPQMiAaPQBOOK9910778273403321Forest of pressure3711335UNINA