02369nam 2200565 a 450 991077825070332120230721032115.00-8166-9598-9(CKB)1000000000484565(EBL)331684(OCoLC)476131237(SSID)ssj0000118365(PQKBManifestationID)11136301(PQKBTitleCode)TC0000118365(PQKBWorkID)10051838(PQKB)10964360(MiAaPQ)EBC331684(OCoLC)212816010(MdBmJHUP)muse38908(Au-PeEL)EBL331684(CaPaEBR)ebr10215794(CaONFJC)MIL523030(EXLCZ)99100000000048456520061004d2007 ub 0engur|n|---|||||txtccrCartographic cinema[electronic resource] /Tom ConleyMinneapolis University of Minnesota Pressc20071 online resource (274 p.)Description based upon print version of record.0-8166-4357-1 0-8166-4356-3 Includes bibliographical references (p. 241-249) and index.Includes filmography: p. 251-253.Icarian cinema: Paris qui dort -- Jean Renoir: cartographies in deep focus -- Maps and theaters of torture: Roma, città aperta -- A desperate journey: from Casablanca to Indiana Jones -- Juvenile geographies: Les mistons -- Michelin Tendre: Les amants -- Paris Underground: Les 400 coups -- A roadmap for a road movie: Thelma and Louise -- Cronos, cosmos, and Polis: La haine -- Ptolemy, Gladiator, and empire.Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this groundbreaking work, eminent scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world.Maps in motion picturesMaps in motion pictures.791.43/62Conley Tom168200MiAaPQMiAaPQMiAaPQBOOK9910778250703321Cartographic cinema3860298UNINA