02207oam 2200577Ia 450 991077814710332120190503073341.00-262-26481-11-282-09918-397866120991820-262-28368-91-4356-0597-7(CKB)1000000000477104(SSID)ssj0000179307(PQKBManifestationID)11166129(PQKBTitleCode)TC0000179307(PQKBWorkID)10139409(PQKB)11700412(MiAaPQ)EBC3338746(OCoLC)181026894(OCoLC)234084004(OCoLC)475431365(OCoLC)608385735(OCoLC)615011466(OCoLC)643795329(OCoLC)645036157(OCoLC)722603004(OCoLC)728034526(OCoLC)815776631(OCoLC)888820699(OCoLC)939263713(OCoLC)961526987(OCoLC)962594295(OCoLC-P)181026894(MaCbMITP)7471(Au-PeEL)EBL3338746(CaPaEBR)ebr10194160(CaONFJC)MIL209918(OCoLC)939263713(EXLCZ)99100000000047710420071109d2007 uy 0engurcn|||||||||txtccrIngmar Bergman, cinematic philosopher reflections on his creativity /Irving SingerCambridge, Mass. MIT Press©2007xii, 240 pBibliographic Level Mode of Issuance: Monograph0-262-19563-1 Includes bibliographical references and index.General observations -- Magic, myth, and the return to childhood -- Religious quandaries and the nature of love -- Ambiguities of the human condition.The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies.ARTS/Photography & Film/GeneralPHILOSOPHY/General791.4302/33092Singer Irving551800OCoLC-POCoLC-PBOOK9910778147103321Ingmar Bergman, cinematic philosopher3738656UNINA