02937nam 2200637Ia 450 991077796020332120230721021744.01-282-59453-2978661259453390-420-2886-61-4416-1342-010.1163/9789042028869(CKB)1000000000764725(EBL)556838(OCoLC)402659842(SSID)ssj0000157852(PQKBManifestationID)12037778(PQKBTitleCode)TC0000157852(PQKBWorkID)10140579(PQKB)11653225(MiAaPQ)EBC556838(OCoLC)402659842(OCoLC)644525066(OCoLC)659500207(OCoLC)764536457(OCoLC)961553819(OCoLC)962615649(OCoLC)988454755(OCoLC)991921701(nllekb)BRILL9789042028869(Au-PeEL)EBL556838(CaPaEBR)ebr10380488(CaONFJC)MIL259453(EXLCZ)99100000000076472520090424d2009 uy 0engur|n|---|||||txtccrFraming consciousness in art[electronic resource] transcultural perspectives /Gregory MinissaleAmsterdam ;New York, NY Rodopi20091 online resource (391 p.)Consciousness, literature & the arts,1573-2193 ;20Description based upon print version of record.90-420-2581-6 Includes bibliographical references and index.Preliminary Material -- Acknowledgments -- Introduction -- Framing Art History -- Framing Philosophy -- Framing Consciousness Studies -- Framing Consciousness in Art -- Bibliography -- Index.Framing Consciousness in Art shows how the frames-in-frames in these different contexts question notions of vision and representation, linear time, conventional spatial coordinates, binaries of ‘internal’ consciousness and ‘external’ world, subject and object, and the precise anatomy of mental states by which we are meant to carve up the territory of consciousness. The phenomenological experience of art is certainly as important as the folk psychology which scientists and philosophers use to taxonomise ordinary first-person modes of subjectivity. Yet art excels in configuring the visual field in order to articulate and sustain a complex network of higher-order thoughts structuring art and consciousness.Consciousness, literature & the arts ;20.Consciousness in artArt and societyConsciousness in art.Art and society.700.1Minissale Gregory1494243MiAaPQMiAaPQMiAaPQBOOK9910777960203321Framing consciousness in art3761794UNINA