02701nam 2200625 450 991013224100332120230803201907.01-118-83639-11-118-83633-21-118-83628-6(CKB)3710000000089657(EBL)1635367(SSID)ssj0001111622(PQKBManifestationID)11945064(PQKBTitleCode)TC0001111622(PQKBWorkID)11157302(PQKB)10594669(MiAaPQ)EBC1635367(DLC) 2013046292(Au-PeEL)EBL1635367(CaPaEBR)ebr10839221(OCoLC)870950868(EXLCZ)99371000000008965720131118d2014 uy| 0engur|n|---|||||txtccrA companion to the Meuse-Argonne campaign /edited by Edward G. LengelChichester, West Sussex :John Wiley & Sons Inc,2014.1 online resource (551 p.)Wiley-Blackwell companions to American historyDescription based upon print version of record.1-118-83613-8 1-4443-5094-3 Includes bibliographical references and index.part I. The big picture -- part II. Combat -- part III. France and Germany in the Meuse-Argonne -- part IV. Perspectives -- part V. Lessons. A Companion to the Meuse-Argonne Campaign explores the single largest and bloodiest battle in American military history, including its many controversies, in historiographical essays that reflect the current state of the field. Presents original essays on the French and German participation in ? and perspectives on ? this important eventMakes use of original archival research from the United States, France, and GermanyContributors include WWII scholars from France, Germany, the United States, and the United KingdomEssays examine the military, socWiley Blackwell Companions to American HistoryArgonne, Battle of the, France, 1918World War, 1914-1918CampaignsMeuse River ValleyWorld War, 1914-1918CampaignsFranceHistoriographyArgonne, Battle of the, France, 1918.World War, 1914-1918CampaignsWorld War, 1914-1918CampaignsHistoriography.940.54/214381Lengel Edward G887831MiAaPQMiAaPQMiAaPQBOOK9910132241003321A companion to the Meuse-Argonne campaign2178998UNINA04980nam 22006974a 450 991077788460332120230914153059.01-281-31654-797866113165490-8135-3996-X10.36019/9780813539966(CKB)1000000000469620(EBL)340814(OCoLC)476156760(SSID)ssj0000275927(PQKBManifestationID)11218691(PQKBTitleCode)TC0000275927(PQKBWorkID)10223310(PQKB)10988627(MiAaPQ)EBC340814(OCoLC)78596562(MdBmJHUP)muse23290(DE-B1597)529341(DE-B1597)9780813539966(Au-PeEL)EBL340814(CaPaEBR)ebr10155150(CaONFJC)MIL131654(OCoLC)1156905866(EXLCZ)99100000000046962020050930h20062006 uy 0engurun#---|u||utxtrdacontentcrdamediacrrdacarrierYou should see yourself Jewish identity in postmodern American culture /edited by Vincent BrookNew Brunswick, N.J. :Rutgers University Press,2006.©20061 online resource (ix, 337 pages) illustrations0-8135-3844-0 Includes bibliographical references and index.Front matter --Contents --Acknowledgments --Introduction: Seeing Isn’t Believing --Introduction --Re-imagining the Jew’s Body: From Self-Loathing to “Grepts” --Recalling “Home” from Beneath the Shadow of the Holocaust: American Jewish Women Writers of the New Wave --Introduction --“Your World Is Very Different from Mine”: Troubling Jewish Identity in Postmodern American Theater --Tony Kushner’s Metaphorical Jew --Introduction --Exploring the Postmodern Landscape of Jewish Music --Continuity, Creativity, and Conflict: The Ongoing Search for “Jewish” Music --Introduction --The Jewish Man and His Dancing Shtick: Stock Characterization and Jewish Masculinity in Postmodern Dance --Introduction --Between Exile and Irony: Modernism, Postmodernism, and Jewish Modes of Thought --Observant Jews and the Photographic Arena of Looks --Introduction --Joke-Work: The Construction of Jewish Postmodern Identity in Contemporary Theory and American Film --They All Are Jews --Introduction --Genealogies of Jewish Stand-up: Looking Back, Moving Beyond --Introduction --Something Old Is New Again? Postmodern Jewishness in Curb Your Enthusiasm, Arrested Development, and The O.C. --“Y’all Killed Him, We Didn’t!” Jewish Self-Hatred and The Larry Sanders Show --Contributors --IndexThe past few decades have seen a remarkable surge in Jewish influences on American culture. Entertainers and artists such as Jerry Seinfeld, Adam Sandler, Allegra Goodman, and Tony Kushner have heralded new waves of television, film, literature, and theater; a major klezmer revival is under way; bagels are now as commonplace as pizza; and kabbalah has become as cool as crystals. Does this broad range of cultural expression accurately reflect what it means to be Jewish in America today? Bringing together fourteen new essays by leading scholars, You Should See Yourself examines the fluctuating representations of Jewishness in a variety of areas of popular culture and high art, including literature, the media, film, theater, music, dance, painting, photography, and comedy. Contributors explore the evolution that has taken place within these cultural forms and how we can best explain these changes. Are variations in our understanding of Jewishness the result of general phenomena such as multiculturalism, politics, and postmodernism, or are they the product of more specifically Jewish concerns such as the intermarriage/continuity crisis, religious renewal, and relations between the United States and Israel? Accessible to students and general readers alike, this volume takes an important step toward advancing the discussion of Jewish cultural influences in this country.Jews in popular cultureUnited StatesPopular cultureReligious aspectsJudaismPostmodernismUnited StatesPostmodernismReligious aspectsJudaismJews in popular culturePopular cultureReligious aspectsJudaism.PostmodernismPostmodernismReligious aspectsJudaism.700/.452992400904Brook Vincent, authttp://id.loc.gov/vocabulary/relators/aut1152844Brook Vincent1946-1152844MiAaPQMiAaPQMiAaPQBOOK9910777884603321You should see yourself3793155UNINA