03879nam 2200721Ia 450 991077762570332120230421045031.00-19-028190-11-280-52618-10-19-802288-31-4294-0747-6(CKB)1000000000465876(SSID)ssj0000364452(PQKBManifestationID)12082181(PQKBTitleCode)TC0000364452(PQKBWorkID)10395883(PQKB)10496506(MiAaPQ)EBC273135(Au-PeEL)EBL273135(CaPaEBR)ebr10279162(CaONFJC)MIL52618(OCoLC)476014884(MiAaPQ)EBC2033525(Au-PeEL)EBL2033525(OCoLC)505073104(EXLCZ)99100000000046587619920515d1992 uy 0engurcn|||||||||txtccrThe poets of Tin Pan Alley[electronic resource] a history of America's great lyricists /Philip FuriaNew York Oxford University Press1992x, 322 pBibliographic Level Mode of Issuance: Monograph0-19-506408-9 0-19-507473-4 Includes bibliographical references (p. 283-290) and index.From the turn of the century to the 1960s, the songwriters of Tin Pan Alley dominated American music. Irving Berlin, Cole Porter, George and Ira Gershwin, Rodgers and Hart--even today these giants remain household names, their musicals regularly revived, their methods and styles analyzed and imitated, and their songs the bedrock of jazz and cabaret. In The Poets of Tin Pan Alley Philip Furia offers a unique new perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a golden age of American popular song. Furia writes with great perception and understanding as he explores the deft rhymes, inventive imagery, and witty solutions these songwriters used to breathe new life into rigidly established genres. He devotes full chapters to all the greats, including Irving Berlin, Lorenz Hart, Ira Gershwin, Cole Porter, Oscar Hammerstain II, Howard Dietz, E.Y. Harburg, Dorothy Fields, Leo Robin, and Johnny Mercer. Furia also offers a comprehensive survey of other lyricists who wrote for the sheet-music industry, Broadway, Hollywood, and Harlem nightclub revues. This was the era that produced The New Yorker, Don Marquis, Dorothy Parker, and E.B. White--and Furia places the lyrics firmly in this fascinating historical context. In these pages, the lyrics emerge as an important element of American modernism, as the lyricists, like the great modernist poets, took the American vernacular and made it sing.American poetry20th centuryHistory and criticismSongs, EnglishUnited StatesHistory and criticismPopular literatureUnited StatesHistory and criticismPopular cultureUnited StatesHistory20th centuryPopular musicUnited StatesHistory and criticismLyric poetryHistory and criticismLyricistsUnited StatesAmerican poetryHistory and criticism.Songs, EnglishHistory and criticism.Popular literatureHistory and criticism.Popular cultureHistoryPopular musicHistory and criticism.Lyric poetryHistory and criticism.Lyricists782.42164/026/8Furia Philip1943-1575274MiAaPQMiAaPQMiAaPQBOOK9910777625703321The poets of Tin Pan Alley3866340UNINA