05241nam 2200901 a 450 991077757600332120230617035450.00-292-79680-310.7560/706934(CKB)1000000000457709(OCoLC)607660664(CaPaEBR)ebrary10245702(SSID)ssj0000245114(PQKBManifestationID)11923164(PQKBTitleCode)TC0000245114(PQKBWorkID)10175928(PQKB)10208716(MiAaPQ)EBC3443228(OCoLC)62763423(MdBmJHUP)muse2039(Au-PeEL)EBL3443228(CaPaEBR)ebr10245702(DE-B1597)587752(OCoLC)1280945359(DE-B1597)9780292796805(EXLCZ)99100000000045770920050103d2005 ub 0engurcn|||||||||txtccr"Shakin' up" race and gender[electronic resource] intercultural connections in Puerto Rican, African American, and Chicano narratives and culture (1965-1995) /Marta E. Sánchez1st ed.Austin University of Texas Press20051 online resource (221 p.) Chicana matters seriesBibliographic Level Mode of Issuance: Monograph0-292-70693-6 Includes bibliographical references (p. [175]-188) and index."In bed" with La Malinche : stories of "family" à la Octavio Paz, Daniel Patrick Moynihan, and Oscar Lewis -- La Malinche at the intersection of Puerto Rican and African American cultures : Piri Thomas and Down these mean streets -- La Malinche : shuffling the Puerto Rican border in Spanish and Black Harlem -- Of nutshells, frogs, and men in Manchild in the promised land -- Grandma knows best : the women in Manchild in the promised land -- Overcoming self-loathing, learning to love brownness : Oscar Zeta Acosta and the autobiography of a brown buffalo.The second phase of the civil rights movement (1965-1973) was a pivotal period in the development of ethnic groups in the United States. In the years since then, new generations have asked new questions to cast light on this watershed era. No longer is it productive to consider only the differences between ethnic groups; we must also study them in relation to one another and to U.S. mainstream society. In "Shakin' Up" Race and Gender, Marta E. Sánchez creates an intercultural frame to study the historical and cultural connections among Puerto Ricans, African Americans, and Chicanos/as since the 1960s. Her frame opens up the black/white binary that dominated the 1960s and 1970s. It reveals the hidden yet real ties that connected ethnics of color and "white" ethnics in a shared intercultural history. By using key literary works published during this time, Sánchez reassesses and refutes the unflattering portrayals of ethnics by three leading intellectuals (Octavio Paz, Daniel Patrick Moynihan, and Oscar Lewis) who wrote about Chicanos, African Americans, and Puerto Ricans. She links their implicit misogyny to the trope of La Malinche from Chicano culture and shows how specific characteristics of this trope—enslavement, alleged betrayal, and cultural negotiation—are also present in African American and Puerto Rican cultures. Sánchez employs the trope to restore the agency denied to these groups. Intercultural contact—encounters between peoples of distinct ethnic groups—is the theme of this book.Chicana matters series.American literatureMinority authorsHistory and criticismAmerican literature20th centuryHistory and criticismPuerto RicansUnited StatesIntellectual lifeNarration (Rhetoric)History20th centuryAfrican AmericansIntellectual lifeMexican AmericansIntellectual lifeAfrican Americans in literatureMexican Americans in literaturePuerto Ricans in literatureEthnic groups in literatureMinorities in literatureSex role in literatureRace in literatureAmerican literatureMinority authorsHistory and criticism.American literatureHistory and criticism.Puerto RicansIntellectual life.Narration (Rhetoric)HistoryAfrican AmericansIntellectual life.Mexican AmericansIntellectual life.African Americans in literature.Mexican Americans in literature.Puerto Ricans in literature.Ethnic groups in literature.Minorities in literature.Sex role in literature.Race in literature.810.9/920693/09045Sánchez Marta Ester1483613MiAaPQMiAaPQMiAaPQBOOK9910777576003321"Shakin' up" race and gender3701798UNINA