04436 am 2200757 n 450 991076838400332120230216979-1-03-620591-010.4000/books.enseditions.43765(CKB)5670000000616680(FrMaCLE)OB-enseditions-43765(PPN)268465932(EXLCZ)99567000000061668020230216j|||||||| ||| 0freuu||||||m||||Discours de haine et de radicalisation Les notions clés /Nolwenn Lorenzi Bailly, Claudine MoïseLyon ENS Éditions20231 online resource (562 p.) 979-1-03-620589-7 Saisir les discours de haine, voire les discours de radicalisation, constitue un enjeu majeur dans nos sociétés contemporaines qui doivent à la fois lutter contre le rejet de l’autre et garantir la liberté d’expression. Face à cette tâche complexe, cet ouvrage tente de montrer combien, au-delà d’un discours de haine directe qui s’exprime à travers des actes de langage de condamnation (provocation, menace, insulte par exemple) ou la volonté d’anéantissement d’une altérité, le discours de haine dissimulée est à considérer du point de vue des idéologies en circulation, des rapports de pouvoir et des « mémoires discursives ». Il a donc recours à de nombreux procédés rhétoriques qui demandent à être explicités. À partir de données d’actualité, étudiées selon des analyses argumentatives ou discursives qui illustrent les propos théoriques développés, cet ouvrage présente sous forme de fiches un large éventail de notions qui témoignent de la diversité des discours de haine. Ces fiches, qui sont relativement courtes et qui se font écho, donnent à comprendre ce qui se joue au sein même des discours de haine ou de radicalisation. Identifying discursive features of hate speech is a complex process which could be affected by digital practices. On the one hand, it is relatively easy to analyse what we have called “discours de haine directe” (direct hate speech) which relies on three concomitant conditions: the pathemic discursive dimension, the negation of otherness and judgement speech acts (provocation, offence, threat…). But the “discours de haine dissimulée” (covert hate speech) is to be viewed from the perspective of the role played by power relations and ideologies in determining hate speech through rhetorical figures such as argument ad hominem, indirect speech acts (blame, contempt, guilt…) and the concepts of preserved ethos and “discursive memory”. In this sense, data analyses also involve a critical argumentative and sociolinguistic approach to discourse. Hate…Social Sciences, InterdisciplinaryhainediscoursradicalismehatespeechradicalismSocial Sciences, InterdisciplinaryhainediscoursradicalismehatespeechradicalismAinine Bilel1454134Ascone Laura1454135Baider Fabienne738308Bernard Barbeau Geneviève1454136Crettiez Xavier1316639Fracchiolla Béatrice1454137Grossmann Francis738383Guellouz Mariem1454138Hugonnier Claire1454139Kailuweit Rolf732974Laforest Marty1330472Lebourg Nicolas1233948Lehti Lotta1454140Lorenzi Bailly Nolwenn1454141Määttä Simo K1454142Meunier Emmanuel1454143Moïse Claudine1364173Monnier Angeliki1453778Rabatel Alain626858Renaut Laurène1454144Rinn Michael1312551Romain Christina1306608Rosier Laurence322283Sini Lorella495493Turpin Béatrice1454145Vernet Samuel1454146FR-FrMaCLEBOOK9910768384003321Discours de haine et de radicalisation3656782UNINA02961nim 2200481Ka 450 991016410440332120240912110542.60-06-246670-4(CKB)3710000001056794(BIP)055704549(ODN)ODN0002733093(EXLCZ)99371000000105679420170206d2017 uy 1enguruna---|||||spwrdacontentsrdamediacrdamediacrrdacarrierA piece of the world A novel. /Christina Baker KlineUnabridged.HarperCollins1 online resource (7 audio files) digital0-06-264295-2 From the #1 New York Times bestselling author of the smash bestseller Orphan Train, a stunning and atmospheric novel of friendship, passion, and art, inspired by Andrew Wyeth's mysterious and iconic painting Christina's World. ""Later he told me that he'd been afraid to show me the painting. He thought I wouldn't like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheatgrass and timothy. That dilapidated house in the distance, looming up like a secret that won't stay hidden."" To Christina Olson, the entire world was her family's remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than twenty years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best known American paintings of the twentieth century. As she did in her beloved smash bestseller Orphan Train, Christina Baker Kline interweaves fact and fiction in a powerful novel that illuminates a little-known part of America's history. Bringing into focus the flesh-and-blood woman behind the portrait, she vividly imagines the life of a woman with a complicated relationship to her family and her past, and a special bond with one of our greatest modern artists. Told in evocative and lucid prose, A Piece of the World is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy.Piece of the World, AFictionOverDriveHistorical FictionOverDriveLiteratureOverDriveMaineArtistsFictionLiterature And FictionFiction.Historical Fiction.Literature.FIC000000FIC014000FIC019000bisacshKline Christina Baker1774758Stone PollyothAUDIO9910164104403321A piece of the world4287783UNINA